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I'm a dweller of the threshold and I'm waiting at the door, and I'm standing in the darkness, I don't want to wait no more.

Van Morrison

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Van Morrison
Age: 79
Born: 1945
Born: August 31
Composer
Guitarist
Musician
Pianist
Poet
Record Producer
Recording Artist
Saxophonist
Singer
Singer-Songwriter
Songwriter
Belfast
Ireland
George Morrison
George Ivan Morrison
Sir George Morrison
Sir George Ivan Morrison
Van the Man
Darkness
Doors
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Dweller
Waiting
Dwellers
Threshold
Wait
Door
Standing

More quotes by Van Morrison

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I do see value in music criticism. Most of the criticism I have received over the years has been very good.
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See the man on the TV with a phony smile. Bring you up, bring you down, he can turn your head around.
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I can see more naturalness in basic blues, basic R & B, basic rock 'n' roll.
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Rock is gut level and it just gets to people. I think there's far too much emphasis on intellectualization, especially in rock 'n' roll which is a primitive form.
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Meet them halfway with love, peace, and persuasion, and expect them to rise for the occasion.
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Men come, men go, all things remain in God.
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I don't like to wonder about it-I just like to do it. That's what I mean about the image stuff and all that. There's far too much emphasis being placed on that kind of stuff... the whole emphasis on what does it mean? Everybody has their own particular vision.
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Sometimes, when the spirit moves me I can do many wondrous things I wanna know when the spirit moves you Did ye get healed?
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Like I said, basically I'm a rocker. That's about it. Things that I've done away from that-branches that I've gotten into off of that - are just other streams, other things that I can do.
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You have to understand a bit about the poetry of the blues to know where the references are coming from.
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The job of the jazz people is to take it as far as it will go and that's what they're doing. But in the process of taking it out there, there has to be some times when they're not getting it right. It all depends on what you dig. I personally don't think the fusion of jazz with the heaviness of rock is working.
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[Jazz musicians] couldn't cut rock. I had to be more limited and specific about what I was doing.
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Every performance is different. That's the beauty of it.
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[Rock 'n' roll] is still a primitive form and there's no way you can get away from that. It's one of the primitive art forms and that's why it's good and that's why it's lasted...you know, it hasn't become sophisticated and it's not in the opera house.
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Shivers up and down my spine It's a feeling so divine Let me go back for a while Got to go back for a while To that magic time.
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The fact I wasn't getting off made me realize that I really had to take a hard look at it and at the type of music that I played, which ranges from ballads to country type stuff to rock and rhythm 'n' blues. It takes in a wider spectrum.
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There's novel reading, and then there's the other kind of reading. Take somebody like Carl Jung, the psychiatrist - now there's somebody worth getting into. With novels, I'm kind of fly by night. It isn't something I can be really consistent with.
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Then it evolved into more of a ballad style singer/songwriter thing. And there was a conflict in trying to merge the two styles with the same band behind me. 'Cause the musicians that I would need to do ballad-oriented tunes would require musicians who were more into jazz.
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The first piece of music that captured my imagination was probably Ray Charles Live At Newport.
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It was really strange for me when I started to play concerts in America where the audiences were all sitting down.
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