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I'm not a rock singer and I don't want to be a rock singer. I'm not interested. It doesn't seem to get across.
Van Morrison
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Van Morrison
Age: 79
Born: 1945
Born: August 31
Composer
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George Morrison
George Ivan Morrison
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Sir George Ivan Morrison
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More quotes by Van Morrison
Jackie Wilson said it was Reet-Petite, kind of love you got knock me off my feet.
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My thinking musically has always been more advanced - it is difficult to get it down onto paper sometimes, even now.
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Going down the old mine with a transistor radio.
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Like I said, basically I'm a rocker. That's about it. Things that I've done away from that-branches that I've gotten into off of that - are just other streams, other things that I can do.
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When all the dark clouds roll away And the sun begins to shine I see my freedom from across the way And it comes right in on time Well it shines so bright and it gives so much light And it comes from the sky above Makes me feel so free makes me feel like me And lights my life with love.
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Music to me is spontaneous, writing is spontaneous and it's all based on not trying to do it. From beginning to end, whether it's writing a song, or playing guitar, or a particular chord sequence, or blowing a horn, it's based on improvisation and spontaneity.
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There's a million things that come through when you put songs together and it's kind of difficult to pinpoint exactly what triggers it on every occasion. It's just like somebody writing a screenplay or something like that.
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Making love in the green grass behind the stadium with you my brown eyed girl.
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I don't have any regrets about the album [Veedon Fleece]. But it's the same old story - an album is basically 35 or 40 minutes of what you do. It's 'part' of what you do.
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When I started out in this business, I was a performer before I was a songwriter, I was a performer before I was recording. Performing is the roots. That's where it all came from. You didn't start out doing it because you wanted to make an album.
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Memories, how they linger in the twilight and in the wee small hours sometimes just before dawn.
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We're [with Robbie Robertson ] jazz musicians. The context may be rock 'n' roll but it's still jazz. It's jazz and that means improvization...you play a tune the way it feels and you play it differently every time. It can never be the same.
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Large audiences did not suit my low-key approach.
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The fact I wasn't getting off made me realize that I really had to take a hard look at it and at the type of music that I played, which ranges from ballads to country type stuff to rock and rhythm 'n' blues. It takes in a wider spectrum.
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If you get into introspective blues or something where you're stretching out a bit, large audiences don't respond to this, so you have to give them what they want, basically.
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When I first started drinking, everybody was doing it. That was before they discovered marijuana and all that. It was the late 50s, early 60s - it was the beginnings of the rock 'n' roll era. The main drink was like wine. And even that was a romantic throwback to something.
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[You Got To Make It Through The World] it's kind of a survival song. Survival is what's happening and it's basically a song about that.
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Heavy Connection is just basically about psychic stuff...it's kind of about connections that you're not normally making. It's like a fate number where you're making psychic connections that you're not really aware of but they're there.
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I always record far more than I can use. There's probably twice as much recorded as comes out.
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There's always stress involved in any genre or art form, there's always going to be a struggle. If there's no struggle, you wouldn't do anything. What are you going do? Retire?
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