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When I started studying tenor saxophone as a kid in Belfast, I did so with a guy named George Cassidy, who was also a big inspiration.
Van Morrison
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Van Morrison
Age: 79
Born: 1945
Born: August 31
Composer
Guitarist
Musician
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Recording Artist
Saxophonist
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Belfast
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George Morrison
George Ivan Morrison
Sir George Morrison
Sir George Ivan Morrison
Van the Man
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George
More quotes by Van Morrison
I also like to do physical things. I like swimming a lot. I like traveling. Not touring traveling but just plain traveling. I also read a lot. Reading takes up most of my time.
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Jazz comes from a tradition where it swings. Swing was the main ingredient of jazz. And once it loses the swing...well, that's it.
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Heavy Connection is just basically about psychic stuff...it's kind of about connections that you're not normally making. It's like a fate number where you're making psychic connections that you're not really aware of but they're there.
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[Touring] is not necessarily a priority. It's just a part of who I am as a performer. That's obviously why I'm doing it why I'm in this business is part of me has to perform.
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If I ventured in the slipstream between the viaducts of your dreams, where immobile steel rims crack and the ditch in the back roads stop. Could you find me?
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When the spirit moves me, I can do many wondrous things.
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It will make you feel good, and it will make you feel whole, when the spirit moves you and it fills you through and through.
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Any artist is an instrument-and that's exactly why you can't do it all the time. You can only do it when it's happening, when it's coming through. No matter how much you may want to do it, if it's not happening then it's simply not happening.
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That's the jazz that I like - the stuff that has a soothing effect.
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When I started out in this business, I was a performer before I was a songwriter, I was a performer before I was recording. Performing is the roots. That's where it all came from. You didn't start out doing it because you wanted to make an album.
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Going down the old mine with a transistor radio.
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I thought of collaborating with other people which still might happen at this point. It might not. I was just trying to break the cycle because I had gotten to a point where I was definitely sure that I was on the wrong track after about 16 years.
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I never paid attention to what was contemporary or what was commercial, it didn't mean anything to me.
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Smell the sea and feel the sky.
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The theory is that you don't play a song the same way twice because it's jazz. That's where I'm coming from.
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You can call it nostalgia, I don't mind Standing on that windswept hillside Listening to the church bells chime Listen to the church bells chime In that magic time.
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Don't lose the wonder in your eyes It's right there when you smile... If we go back, for a while Let me go back, for a while To that magic time
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Well, it's a marvelous night for a Moondance With the stars up above in your eyes... And I'm trying to please to the calling Of your heart-strings that they play soft and low And all the night's magic seems to whisper and hush And all the soft moonlight seems to shine in your blush... One more Moondance with you in the moonlight On a magic night
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Have I told you lately that I love you, have I told you lately there's no one above you. Fill my heart with gladness, take away all my sadness, ease my troubles, that's what you do.
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Don't want to discuss it, I think it's time for a change You may get disgusted, some think that I'm strange In that case I'll go underground, get some heavy rest Never have to worry, about what is worst and what is best.
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