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There is more magic in sin if it is not committed.

V. S. Pritchett

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V. S. Pritchett
Age: 96 †
Born: 1900
Born: December 16
Died: 1997
Died: March 20
Biographer
Critic
Journalist
Literary Critic
Novelist
University Teacher
Writer
Ipswich (parish)
Committed
Sin
Magic

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Well, youth is the period of assumed personalities and disguises. It is the time of the sincerely insincere.
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The present has its élan because it is always on the edge of the unknown and one misunderstands the past unless one remembers that this unknown was once part of its nature.
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I am under the spell of language, which has ruled me since I was 10.
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All writers - all people - have their stores of private and family legends which lie like a collection of half-forgotten, often violent toys on the floor of memory.
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Criticism changes with the fashion of the time. A story is always a story.
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It is often said that in Ireland there is an excess of genius unsustained by talent but there is talent in the tongues.
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We are used to the actions of human beings, not to their stillness.
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The profoundly humorous writers are humorous because they are responsive to the hopeless, uncouth, concatenations of life.
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The State, that cawing rookery of committees and subcommittees.
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I shall never be as old as I was between 20 and 30.
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It is well known that, when two authors meet, they at once start talking about money-like everyone else.
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The detective novel is the art-for-art's-sake of our yawning Philistinism, the classic example of a specialized form of art removed from contact with the life it pretends to build on.
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Life — how curious is that habit that makes us think it is not here, but elsewhere.
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Queen Victoria - a mixture of national landlady and actress.
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How extraordinary it is that one feels most guilt about the sins one is unable to commit.
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Detective stories are the art-for-art's sake of yawning Philistinism.
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The businessman who is a novelist is able to drop in on literature and feel no suicidal loss of esteem if the lady is not at home, and he can spend his life preparing without fuss for the awful interview.
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The wrongs of childhood and upbringing have made a large and obsessional contribution to autobiography and the novel.
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It's all in the art. You get no credit for living.
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It is exciting and emancipating to believe we are one of nature's latest experiments, but what if the experiment is unsuccessful?
V. S. Pritchett