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Detective stories are the art-for-art's sake of yawning Philistinism.
V. S. Pritchett
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V. S. Pritchett
Age: 96 †
Born: 1900
Born: December 16
Died: 1997
Died: March 20
Biographer
Critic
Journalist
Literary Critic
Novelist
University Teacher
Writer
Ipswich (parish)
Yawning
Detective
Detectives
Sake
Art
Stories
Philistinism
More quotes by V. S. Pritchett
The peculiar foreign superstition that the English do not like love, the evidence being that they do not talk about it.
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I felt the beginning of a passion, hopeless in the long run, but very nourishing, for identifying myself with people who were not my own, and whose lives were governed by ideas alien to mine.
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I am under the spell of language, which has ruled me since I was 10.
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On one plane, the very great writers and the popular romancers of the lower order always meet. They use all of themselves, helplessly, unselectively. They are above the primness and good taste of declining to give themselves away.
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How extraordinary it is that one feels most guilt about the sins one is unable to commit.
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It is exciting and emancipating to believe we are one of nature's latest experiments, but what if the experiment is unsuccessful?
V. S. Pritchett
The difference between farce and humour in literature is, I suppose, that farce strums louder and louder on one string, while humour varies its note, changes its key, grows and spreads and deepens until it may indeed reach tragic depths.
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Queen Victoria - a mixture of national landlady and actress.
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There is more magic in sin if it is not committed.
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Among the masked dandies of Edwardian comedy, Max Beerbohm is the most happily armored by a deep and almost innocent love of himself as a work of art.
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It is the role of the poet to look at what is happening in the world and to know that quite other things are happening.
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The profoundly humorous writers are humorous because they are responsive to the hopeless, uncouth, concatenations of life.
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Short stories can be rather stark and bare unless you put in the right details. Details make stories human, and the more human a story can be, the better.
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We are used to the actions of human beings, not to their stillness.
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The present has its élan because it is always on the edge of the unknown and one misunderstands the past unless one remembers that this unknown was once part of its nature.
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The wrongs of childhood and upbringing have made a large and obsessional contribution to autobiography and the novel.
V. S. Pritchett
A natural New Yorker is a native of the present tense.
V. S. Pritchett
Some writers thrive on the contact with the commerce of success others are corrupted by it. Perhaps, like losing one's virginity,it is not as bad (or as good) as one feared it was going to be.
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Life — how curious is that habit that makes us think it is not here, but elsewhere.
V. S. Pritchett
Writing enlarges the landscape of the mind.
V. S. Pritchett