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Sooner or later, the great men turn out to be all alike. They never stop working. They never lose a minute. It is very depressing.
V. S. Pritchett
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V. S. Pritchett
Age: 96 †
Born: 1900
Born: December 16
Died: 1997
Died: March 20
Biographer
Critic
Journalist
Literary Critic
Novelist
University Teacher
Writer
Ipswich (parish)
Stop
Alike
Working
Sooner
Turns
Minute
Great
Later
Never
Minutes
Men
Lose
Loses
Turn
Depressing
More quotes by V. S. Pritchett
All writers - all people - have their stores of private and family legends which lie like a collection of half-forgotten, often violent toys on the floor of memory.
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The Canadian spirit is cautious, observant and critical where the American is assertive.
V. S. Pritchett
Criticism changes with the fashion of the time. A story is always a story.
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The State, that cawing rookery of committees and subcommittees.
V. S. Pritchett
It's very important to feel foreign. I was born in England, but when I'm being a writer, everyone in England is foreign to me.
V. S. Pritchett
A short story is. . .frequently the celebration of character at bursting point.
V. S. Pritchett
It is often said that in Ireland there is an excess of genius unsustained by talent but there is talent in the tongues.
V. S. Pritchett
The present has its élan because it is always on the edge of the unknown and one misunderstands the past unless one remembers that this unknown was once part of its nature.
V. S. Pritchett
The profoundly humorous writers are humorous because they are responsive to the hopeless, uncouth, concatenations of life.
V. S. Pritchett
The difference between farce and humour in literature is, I suppose, that farce strums louder and louder on one string, while humour varies its note, changes its key, grows and spreads and deepens until it may indeed reach tragic depths.
V. S. Pritchett
One recalls how much the creative impulse of the best-sellers depends upon self-pity. It is an emotion of great dramatic potential.
V. S. Pritchett
I felt the beginning of a passion, hopeless in the long run, but very nourishing, for identifying myself with people who were not my own, and whose lives were governed by ideas alien to mine.
V. S. Pritchett
It's all in the art. You get no credit for living.
V. S. Pritchett
We are used to the actions of human beings, not to their stillness.
V. S. Pritchett
I am under the spell of language, which has ruled me since I was 10.
V. S. Pritchett
On one plane, the very great writers and the popular romancers of the lower order always meet. They use all of themselves, helplessly, unselectively. They are above the primness and good taste of declining to give themselves away.
V. S. Pritchett
Now, practically all reviewers have academic aspirations. The people from the universities are used to a captive audience, but the literary journalist has to please his audience.
V. S. Pritchett
The detective novel is the art-for-art's-sake of our yawning Philistinism, the classic example of a specialized form of art removed from contact with the life it pretends to build on.
V. S. Pritchett
A natural New Yorker is a native of the present tense.
V. S. Pritchett
The peculiar foreign superstition that the English do not like love, the evidence being that they do not talk about it.
V. S. Pritchett
