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How extraordinary it is that one feels most guilt about the sins one is unable to commit.
V. S. Pritchett
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V. S. Pritchett
Age: 96 †
Born: 1900
Born: December 16
Died: 1997
Died: March 20
Biographer
Critic
Journalist
Literary Critic
Novelist
University Teacher
Writer
Ipswich (parish)
Sins
Guilt
Commit
Extraordinary
Sin
Feels
Unable
More quotes by V. S. Pritchett
It is less the business of the novelist to tell us what happened than to show how it happened.
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A natural New Yorker is a native of the present tense.
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The Canadian spirit is cautious, observant and critical where the American is assertive.
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Among the masked dandies of Edwardian comedy, Max Beerbohm is the most happily armored by a deep and almost innocent love of himself as a work of art.
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I shall never be as old as I was between 20 and 30.
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The peculiar foreign superstition that the English do not like love, the evidence being that they do not talk about it.
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Those mausoleums of inactive masculinity are places for men who prefer armchairs to women.
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A short story is. . .frequently the celebration of character at bursting point.
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A touch of science, even bogus science, gives an edge to the superstitious tale.
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There is more magic in sin if it is not committed.
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We are used to the actions of human beings, not to their stillness.
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Because of the influence of the cinema, most reports or stories of violence are so pictorial that they lack content or meaning. The camera brings them to our eyes, but does not settle them in our minds, nor in time.
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The makers of the short story have rarely been good novelists.
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Criticism changes with the fashion of the time. A story is always a story.
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Detective stories are the art-for-art's sake of yawning Philistinism.
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Life — how curious is that habit that makes us think it is not here, but elsewhere.
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The present has its élan because it is always on the edge of the unknown and one misunderstands the past unless one remembers that this unknown was once part of its nature.
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Some writers thrive on the contact with the commerce of success others are corrupted by it. Perhaps, like losing one's virginity,it is not as bad (or as good) as one feared it was going to be.
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The wrongs of childhood and upbringing have made a large and obsessional contribution to autobiography and the novel.
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The businessman who is a novelist is able to drop in on literature and feel no suicidal loss of esteem if the lady is not at home, and he can spend his life preparing without fuss for the awful interview.
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