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If writers just sit and talk about oppression, they are not going to do much writing.

V. S. Naipaul

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V. S. Naipaul
Died: 2018
Died: August 11
Essayist
Journalist
Novelist
Writer
Vidiadhar Surajprasad Naipaul
V.S. Naipaul
Sir Vidiadhar Surajprasad Naipaul
Much
Oppression
Writers
Talk
Writing
Going

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One must always try to see the truth of a situation - it makes things universal.
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I have a very small public.
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In our island myth this was the prescribed end of marriages like mine: the wife goes off with someone from the Cercle Sportif, outside whose gates at night the willingly betrayed husband waits in his motorcar. The circumstances were slightly.
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There are two ways of talking. One is the easy way, where you talk lightly, and the other one is the considered way. The considered way is what I have put my name to.
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I am the kind of writer that people think other people are reading.
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Whenever I have had to write fiction, I've always had to invent a character who roughly has my background.
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The world outside existed in a kind of darkness and we inquired about nothing.
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I have always moved by intuition alone. I have no system, literary or political. I have no guiding political idea.
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The world is what it is men who are nothing, who allow themselves to become nothing, have no place in it.
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Small things start us in new ways of thinking
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If ever you wish to meet intellectual frauds in quantity, go to Paris.
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I've been a free man.
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The family feuds or the village feuds often had to do with an idea of honor. Perhaps it was a peasant idea perhaps this idea of honor is especially important to a society without recourse to law or without confidence in law.
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Nothing was made in Trinidad.
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When I learnt to write I became my own master, I became very strong, and that strength is with me to this very day.
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Great writing can be done in biography, history, art.
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To read a newspaper for the first time is like coming into a film that has been on for an hour. Newspapers are like serials. To understand them you have to take knowledge to them the knowledge that serves best is the knowledge provided by the newspaper itself.
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What was past was past. I suppose that was the general attitude.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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I don't feel I can speak with authority for many other people.
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