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The world is always in movement.

V. S. Naipaul

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V. S. Naipaul
Died: 2018
Died: August 11
Essayist
Journalist
Novelist
Writer
Vidiadhar Surajprasad Naipaul
V.S. Naipaul
Sir Vidiadhar Surajprasad Naipaul
Movement
Always
World

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In England people are very proud of being very stupid.
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Whenever I have had to write fiction, I've always had to invent a character who roughly has my background.
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A civilization which has taken over the world cannot be said to be dying.
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Look, boys, it ever strike you that the world not real at all? It ever strike you that we have the only mind in the world and you just thinking up everything else? Like me here, having the only mind in the world, and thinking up you people here, thinking up the war and all the houses and the ships and them in the harbour. That ever cross your mind?
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This is unusual for me. I have given readings and not lectures. I have told people who ask for lectures that I have no lecture to give. And that is true.
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It's very attractive to people to be a victim. Instead of having to think out the whole situation, about history and your group and what you are doing... if you begin from the point of view of being a victim, you've got it half-made. I mean intellectually.
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After all, we make ourselves according to the ideas we have of our possibilities.
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Most people are not really free. They are confined by the niche in the world that they carve out for themselves. They limit themselves to fewer possibilities by the narrowness of their vision.
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A cat only has itself.
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One must always try to see the truth of a situation - it makes things universal.
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Africa has no future.
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It was a good place for getting lost in, a city no one ever knew, a city explored from the neutral heart outward, until after many years, it defined itself into a jumble of clearings separated by stretches of the unknown, through which the narrowest of paths had been cut.
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It is wrong to have an ideal view of the world. That's where the mischief starts. That's where everything starts unravelling.
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All the things that were read to me by my father were stories about things becoming all right.
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I wish my prose to be transparent—I don't want the reader to stumble over me I want him to look through what I'm saying to what I'm describing. I don't want him ever to say, Oh, goodness, how nicely written this is. That would be a failure.
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Judgment is contained in the act of trying to understand.
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Nothing was made in Trinidad.
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If writers just sit and talk about oppression, they are not going to do much writing.
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In Trinidad, where as new arrivals we were a disadvantaged community, that excluding idea was a kind of protection it enabled us - for the time being, and only for the time being - to live in our own way and according to our own rules, to live in our own fading India.
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As a child I knew almost nothing, nothing beyond what I had picked up in my grandmother's house. All children, I suppose, come into the world like that, not knowing who they are.
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