I don't always burn my bridges, but when I do, I like there to be no survivors.

It's a reality of art that the fewer lines you get, the harder it is. Cartooning is actually harder than realism. You have less to work with. It's like trying to build a house-if you have unlimited resources, you're in much better shape than if you get two bricks, a hammer, and a bent nail.

I am automatically suspicious of things that wave their symbolism around and do little dances and bludgeon you over the head so that you [Darn] Well Know There's A Symbol Here.

Once upon a time, there was a little creature that was rather small and rather wicked and it lived all alone in the woods. The little creature lived in a little den, at the bottom of a little ravine, filled with not-at-all little brambles and on the edge of a forest that could only be described as really freakin' huge.

Every now and again, a painting will get away from my control and take over. Sometimes it's a good thing. Sometimes it's a giant drooling hairy thing with pointy teeth. You know how it is.

I really wish there had been a way to phrase this as 'A thunder of worms.' Because I like that phrase. That's a phrase with soul. Worm thunder on the horizon, all is right with the cosmos.