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You cannot blame everything on the enemy.

Ursula K. Le Guin

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Ursula K. Le Guin
Age: 88 †
Born: 1929
Born: October 21
Died: 2018
Died: January 22
Author
Feminist
Journalist
Literary Critic
Novelist
Poet
Prosaist
Science Fiction Writer
Screenwriter
Translator
Writer
Berkeley
California
Ursula Kroeber
Ursula Kroeber Le Guin
Blame
Enemy
Responsibility
Cannot
Everything

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If civilization has an opposite, it is war.
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The more defensive a society, the more conformist.
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Sure, it's simple, writing for kids... Just as simple as bringing them up.
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There is not much you can say about a baby unless you are talking with its father or another mother or nurse infants are not part of the realm of ordinary language, talk is inadequate to them as they are inadequate to talk.
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The wise needn't ask, the fool asks in vain.
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All times are changing times, but ours is one of massive, rapid moral and mental transformation. Archetypes turn into millstones, large simplicities get complicated, chaos becomes elegant, and what everybody knows is true turns out to be what some people used to think.
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First sentences are doors to worlds.
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What you select from, in order to tell your story, is nothing less than everything. What you build up your world from, your local, intelligible rational, coherent world, is nothing less than everything. . . . . All human knowledge is local. Every life, each human life is local, is arbitrary, the infinitesimal momentary glitter of a reflection.
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To exhibit the perfect uselessness of knowing the answer to the wrong question.
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Almost everything is double like that for adolescents their lies are true and their truths are lies, and their hearts are broken by the world. They gyre and fall they see through everything, and are blind.
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To oppose something is to maintain it.
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A moral choice in its basic terms appears to be a choice that favors survival: a choice made in favor of life.
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Children know perfectly well that unicorns aren’t real, but they also know that books about unicorns, if they are good books, are true books.
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Life goes on, even if two-headed and glowing faintly in the dark.
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All knowledge is local, all truth is partial. No truth can make another truth untrue. All knowledge is part of the whole knowledge. Once you have seen the larger pattern, you cannot go back to seeing the part as the whole.
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When you work in form, be it a sonnet or villanelle or whatever, the form is there and you have to fill it. And you have to find how to make that form say what you want to say. But what you find, always--I think any poet who's worked in form will agree with me--is that the form leads you to what you want to say.
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Whenever they tell me children want this sort of book and children need this sort of writing, I am going to smile politely and shut my earlids. I am a writer, not a caterer. There are plenty of caterers. But what children most want and need is what we and they don't know they want and don't think they need, and only writers can offer it to them.
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Reason is a faculty far larger than mere objective force. When either the political or the scientific discourse announces itself as the voice of reason, it is playing God, and should be spanked and stood in the corner.
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Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
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The place they go towards is a place even less imaginable to us than the city of happiness. I cannot describe it at all. It is possible it does not exist. But they seem to know where they are going, the ones who walk away from Omelas.
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