Quote

Between thought and spoken word is a gap where intention can enter, the symbol be twisted aside, and the lie come to be.

Ursula K. Le Guin

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Ursula K. Le Guin
Age: 88 †
Born: 1929
Born: October 21
Died: 2018
Died: January 22
Author
Feminist
Journalist
Literary Critic
Novelist
Poet
Prosaist
Science Fiction Writer
Screenwriter
Translator
Writer
Berkeley
California
Ursula Kroeber
Ursula Kroeber Le Guin
Aside
Symbols
Enter
Intention
Word
Twisted
Lying
Symbol
Thought
Gaps
Come
Spoken

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Now perhaps an excessive dread of overpopulation--overcrowding--reflects not an outward reality, but an inward state of mind. If you feel overcrowded when you're not, what does that mean? Maybe that you're afraid of human contact--of being close to people, of being touched.
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One voice speaking truth is a greater force than fleets and armies.
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When action grows unprofitable, gather information when information grows unprofitable, sleep.
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But it is one thing to read about dragons and another to meet them.
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To think that realistic fiction is by definition superior to imaginative fiction is to think imitation is superior to invention.
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Sometimes one's very angry and preaches, but I know that to clinch a point is to close it. To leave the reader free to decide what your work means, that's the real art it makes the work inexhaustible.
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It had never occurred to me before that music and thinking are so much alike. In fact you could say music is another way of thinking, or maybe thinking is another kind of music.
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If you're a fiction writer, though, I can tell you how to let people talk through you. Listen. Just be quiet, and listen. Let the character talk. Don't censor, don't control. Listen, and write.
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A forest ecology is a delicate one. If the forest perishes, its fauna may go with it. The Athshean word for world is also the word for forest.
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Dreams take short cuts.
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What else can the young be? When you are on the bottom, you must organize from the bottom up
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All men were alien one to another, at times, not only aliens.
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I have decided that the trouble with print is, it never changes its mind.
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It is a real wilderness, and those who go there should not feel too safe.
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When we're done with it, we may find—if it's a good novel—that we're a bit different from what we were before we read it, that we have been changed a little, as if by having meet a new face, crossed a street we've never crossed before.
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Virginity is now a mere preamble or waiting room to be got out of as soon as possible it is without significance. Old age is similarly a waiting room, where you go after life's over and wait for cancer or a stroke. The years before and after the menstrual years are vestigial: the only meaningful condition left to women is that of fruitfulness.
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We broke the world to make it whole.
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There have been great societies that did not use the wheel, but there have been no societies that did not tell stories.
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The artist deals with what cannot be said in words.
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A man wants his virility regarded. A woman wants her femininity appreciated, however indirect and subtle the indications of regard and appreciation. [Here] one is respected and judged only as a human being. It is an appalling experience.
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