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I had forgotten how much light there is in the world, till you gave it back to me.

Ursula K. Le Guin

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Ursula K. Le Guin
Age: 88 †
Born: 1929
Born: October 21
Died: 2018
Died: January 22
Author
Feminist
Journalist
Literary Critic
Novelist
Poet
Prosaist
Science Fiction Writer
Screenwriter
Translator
Writer
Berkeley
California
Ursula Kroeber
Ursula Kroeber Le Guin
Much
World
Till
Forgotten
Gave
Light
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More quotes by Ursula K. Le Guin

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Well, the secret to writing is writing. It's only a secret to people who don't want to hear it. Writing is how you be a writer.
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It is hard to swear when sex is not dirty and blasphemy does not exist.
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I think the mystery of art lies in this, that artists’ relationship is essentially with their work — not with power, not with profit, not with themselves, not even with their audience.
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Virginity is now a mere preamble or waiting room to be got out of as soon as possible it is without significance. Old age is similarly a waiting room, where you go after life's over and wait for cancer or a stroke. The years before and after the menstrual years are vestigial: the only meaningful condition left to women is that of fruitfulness.
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The law of evolution is that the strongest survives.
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Sleeping people are so remote.... Right here, but out of communication. That's what strikes humans as uncanny about sleep. Its utter privacy. The sleeper turns his back on everyone.
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My Real Children starts quietly, then suddenly takes you on two roller-coaster rides at once, swooping dizzily through a double panorama and ending in a sort of super Sophie's Choice. A daring tour de force.
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To make a thief, make an owner to create crime, create laws.
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This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain.
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To be whole is to be part true voyage is return.
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Much arrogance is necessary equipment for an artist, I think. Not sufficient, but necessary. It carries one across the gaps.
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Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
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The artist deals with what cannot be said in words. The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.
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I talk about the gods, I am an atheist. But I am an artist too, and therefore a liar. Distrust everything I say. I am telling the truth.
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We are volcanoes. When we women offer our experience as our truth, as human truth, all the maps change. There are new mountains.
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When I'm writing I don't dream much it's like the dreaming gets used in the writing.
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It is not human to be without shame and without desire.
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Manipulated, one manipulates others.
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What you select from, in order to tell your story, is nothing less than everything. What you build up your world from, your local, intelligible rational, coherent world, is nothing less than everything. . . . . All human knowledge is local. Every life, each human life is local, is arbitrary, the infinitesimal momentary glitter of a reflection.
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Even in the obscure vast history of a planet the time it takes to make a forest counts. It takes a while. And not every planet can do it it is no common effect, that tangling of the sun's first cool light in the shadow and complexity of innumberable wind-stirred branches.
Ursula K. Le Guin