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Conspiracies and all the theories of conspiracy are a part of the canon of fakes. And I'm involved, in all of my writings, the theoretical ones as well as the novels, with the production of fakes.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
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Fake
Fakes
Well
Production
Conspiracies
Writing
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Conspiracy

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I was in a maze. No matter which way I turned, it was the wrong way.
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We are never racist against somebody who is very far away. I don't know any racism against the Eskimos. To have a racist feeling, there must be an other who is slightly different from us - but is living close to us.
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We are a pluralist civilisation because we allow mosques to be built in our countries, and we are not going to stop simply because Christian missionaries are thrown into prison in Kabul. If we did so, we too would become Taliban.
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My collection of rare books concerns only books that don't tell the truth.
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Semiotics is in principle the discipline studying everything which can be used in order to lie. If something cannot be used to tell a lie, conversely it cannot be used to tell the truth: it cannot in fact be used to tell at all.
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Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.
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The Devil is not the Prince of Matter the Devil is the arrogance of the spirit, faith without smile, truth that is never seized by doubt. The Devil is grim because he knows where he is going, and, in moving, he always returns whence he came.
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A writer writes for writers, a non-writer writes for his next-door neighbor or for the manager of the local bank branch, and he fears (often mistakenly) that they would not understand or, in any case, would not forgive his boldness.
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I love the smell of book ink in the morning.
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Two cliches make us laugh. A hundred cliches move us. For we sense dimly that the cliches are talking among themselves, and celebrating a reunion.
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I feel that I am a scholar who only with the left hand writes novels.
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Political satire is a serious thing. In democratic newspapers throughout the world there are daily cartoons that often are not even funny, as is the case especially in many English-language newspapers. Instead, they contain a political message, and the artist takes full responsibility.
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It was awkward, revisiting a world you have never seen before: like coming home, after a long journey, to someone else’s house.
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Narrativity presumes a special taste for plot. And this taste for plot was always very present in the Anglo-Saxon countries and that explains their high quality of detective novels.
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The light in her eyes was beyond description, yet it did not instill improper thoughts: it inspired a love tempered by awe, purifying the hearts it inflamed.
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Stopgaps do belong to the internal economy of the form, since the Whole requires them, even if only in a subordinate position ... The stopgap Luigi Paryson's 'zeppa' accepts its own banality, because without the speed that the banal allows up, it would slow up a passage that is crucial for the outcome of the work and its interpretation.
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The followers must feel besieged.
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Only an unhinged movie survives as a disconnected series of images, of peaks, of visual icebergs. It should display not one central idea but many. It should not reveal a coherent philosophy of composition. It must live on, and because of, its glorious ricketiness.
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The more elusive and ambiguous a symbol is, the more it gains significance and power.
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Then we are living in a place abandoned by God, I said, disheartened. Have you found any places where God would have felt at home? William asked me, looking down from his great height.
Umberto Eco