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Man's principle trait is a readiness to believe anything. Otherwise, how could the Church have survived for almost two thousand years in the absense of universal gullibility?
Umberto Eco
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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Anything
Principle
Believe
Otherwise
Years
Universal
Men
Thousand
Gullibility
Principles
Trait
Almost
Readiness
Church
Traits
Two
Survived
More quotes by Umberto Eco
There are four kinds of people in this world: cretins, fools, morons, and lunatics.
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Semiotics is a general theory of all existing languages... all forms of communication - visual, tactile, and so on... There is general semiotics, which is a philosophical approach to this field, and then there are many specific semiotics.
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Love flourishes in expectation. Expectation strolls through the spacious fields of Time towards Opportunity.
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It is a myth of publishers that people want to read easy things.
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Only an unhinged movie survives as a disconnected series of images, of peaks, of visual icebergs. It should display not one central idea but many. It should not reveal a coherent philosophy of composition. It must live on, and because of, its glorious ricketiness.
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I have lost the freedom of not having an opinion.
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We like lists because we don't want to die.
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As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.
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You cannot escape one infinite, I told myself, by fleeing to another. You cannot escape the revelation of the identical by taking refuge in the illusion of the multiple.
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A library's ideal function is to be a little bit like a bouquiniste's stall, a place for trouvailles.
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I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your audience.
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If you want to use television to teach somebody, you must first teach them how to use television.
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From lies to forgeries the step is not so long, and I have written technical essays on the logic of forgeries and on the influence of forgeries on history.
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Narrativity presumes a special taste for plot. And this taste for plot was always very present in the Anglo-Saxon countries and that explains their high quality of detective novels.
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What does culture want? To make infinity comprehensible.
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Libraries can take the place of God.
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Yesterday's rose endures in its name, we hold empty names.
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As a scholar I am interested in the philosophy of language, semiotics, call it what you want, and one of the main features of the human language is the possibility of lying.
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I wrote a novel because I had a yen to do it. I believe this is sufficient reason to set out to tell a story.
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We have a limit, a very discouraging, humiliating limit: death. That's why we like all the things that we assume have no limits and, therefore, no end. It's a way of escaping thoughts about death. We like lists because we don't want to die.
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