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History is a blood-drenched enigma and the world an error.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Errors
Blood
History
World
Drenched
Enigma
Error

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Writing doesn't mean necessarily putting words on a sheet of paper. You can write a chapter while walking or eating.
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I consider always the adult life to be the continuous retrieval of childhood.
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Being a professional philosopher is, I would say, feeling natural to think about small and great problems. It is the only pleasure.
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The Devil is not the Prince of Matter the Devil is the arrogance of the spirit, faith without smile, truth that is never seized by doubt. The Devil is grim because he knows where he is going, and, in moving, he always returns whence he came.
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Well, Diotallevi and I are planning a reform in higher education. A School of Comparative Irrelevance, where useless or impossibe courses are given. The school's aim is to turn out scholars capable of endlessly increasing the number of unnecessary subjects.
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You don't fall in love because you fall in love you fall in love because of the need, desperate, to fall in love. when you feel that need, you have to watch your step: like having drunk a philter, the kind that makes you fall in love with the first thing you meet. It could be a duck-billed platypus.
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Hypotyposis is the rhetorical effect by which words succeed in rendering a visual scene.
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We are a pluralist civilisation because we allow mosques to be built in our countries, and we are not going to stop simply because Christian missionaries are thrown into prison in Kabul. If we did so, we too would become Taliban.
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Homer's work hits again and again on the topos of the inexpressible. People will always do that.
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Where else? I belong to a lost generation and am comfortable only in the company of others who are lost and lonely.
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The Art of the Romance, though warning us that it is providing fictions, opens a door into the Palace of Absurdity, and when we have lightly stepped inside, slams it shut behind us.
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Then we are living in a place abandoned by God, I said, disheartened. Have you found any places where God would have felt at home? William asked me, looking down from his great height.
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A book is a fragile creature, it suffers the wear of time, it fears rodents, the elements and clumsy hands. so the librarian protects the books not only against mankind but also against nature and devotes his life to this war with the forces of oblivion.
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[In my writing] I know that I have made a caricature out of [others' academic] theories [but] I think that caricatures are frequently good portraits.
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When the poet is in love, he is incapable of writing poetry on love. He has to write when he remembers that he was in love.
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Nothing is more fleeting than external form, which withers and alters like the flowers of the field at the appearance of autumn.
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Love flourishes in expectation. Expectation strolls through the spacious fields of Time towards Opportunity.
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I have a good memory. But I would be interested in memory even if I had a bad memory, because I believe that memory is our soul. If we lose our memory completely, we are without a soul.
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I feel that I am a scholar who only with the left hand writes novels.
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The poets did not win the philosophers surrendered.
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