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History is a blood-drenched enigma and the world an error.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Drenched
Enigma
Error
Errors
Blood
History
World

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My poetry had the same functional origin and the same formal configuration as teenage acne.
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The only truths that are useful are instruments to be thrown away.
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Thus we have on stage two men, each of whom knows nothing of what he believes the other knows, and to deceive each other reciprocally both speak in allusions, each of the two hoping (in vain) that the other holds the key to his puzzle.
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The comic is the perception of the opposite humor is the feeling of it.
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Conspiracies and all the theories of conspiracy are a part of the canon of fakes. And I'm involved, in all of my writings, the theoretical ones as well as the novels, with the production of fakes.
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[I am fascinated by stupidity] because normal intelligence is boring. Two plus two makes four - finished. You have no possibilities! Stupidity is infinite. Two plus two can make billions of different numbers.
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How does a person feel when looking at the sky? He thinks that he doesn't have enough tongues to describe what he sees. Nevertheless, people have never stopping describing the sky, simply listing what they see.
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We know that sensory phenomena are transcribed in the photographic emulsion in such a way that even if there is a causal link with the real phenomena, the graphic images can be considered as wholly arbitrary with respect to these phenomena.
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American coffee can be a pale solution served at a temperature of 100oC
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But why doesn't the Gospel ever say that Christ laughed? I asked, for no good reason. Is Jorge right? Legions of scholars have wondered whether Christ laughed. The question doesn't interest me much. I believe he never laughed, because, omniscient as the son of God had to be, he knew how we Christians would behave. . . .
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We live for books. A sweet mission in this world dominated by disorder and decay.
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A dream is a scripture, and many scriptures are nothing but dreams.
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On sober reflection, I find few reasons for publishing my Italian version of an obscure, neo-Gothic French version of a seventeenth century Latin edition of a work written in Latin by a German Monk toward the end of the fourteenth century...First of all, what style should I employ?
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The poets did not win the philosophers surrendered.
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Being a professional philosopher is, I would say, feeling natural to think about small and great problems. It is the only pleasure.
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Thus I rediscovered what writers have always known (and have told us again and again): books always speak of other books, and every story tells a story that has already been told.
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Originality and creativity are nothing but the result of the wise management of combinations. The creative genius combines more rapidly, and with a greater critical sense of what gets tossed out and what gets saved, the same material that the failed genius has to work with.
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Perhaps I am not as wise as I like to think I am.
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My generation knew pretty well what happened 50 years before our birth. Now I follow all the quiz programs because they are a paramount example of the span of memory of the young generation - they are able to remember everything that happened in their life but not before.
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We have a limit, a very discouraging, humiliating limit: death.
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