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I was in a maze. No matter which way I turned, it was the wrong way.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Matter
Way
Maze
Mazes
Turned
Wrong

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All the blogs, Facebook, Twitter are made by people who want to show their own private affairs at the price of making fakes, to try to appear such as they are not, to construct another personality, which is a veritable loss of identity.
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Every great thinker is someone else's moron.
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Being a professional philosopher is, I would say, feeling natural to think about small and great problems. It is the only pleasure.
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The monkish vows keep us far from that sink of vice that is the female body, but often they bring us close to other errors. Can I finally hide from myself the fact that even today my old age is still stirred by the noonday demon when my eyes, in choir, happen to linger on the beardless face of a novice, pure and fresh as a maidens?
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The author may not interpret. But he must tell why and how he wrote his book.
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I felt no passion, no jealousy, no nostalgia. I was hollow, clear-headed, clean, and as emotionless as an aluminum pot.
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The Art of the Romance, though warning us that it is providing fictions, opens a door into the Palace of Absurdity, and when we have lightly stepped inside, slams it shut behind us.
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Stopgaps do belong to the internal economy of the form, since the Whole requires them, even if only in a subordinate position ... The stopgap Luigi Paryson's 'zeppa' accepts its own banality, because without the speed that the banal allows up, it would slow up a passage that is crucial for the outcome of the work and its interpretation.
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Someone said that patriotism is the last refuge of cowards those without moral principles usually wrap a flag around themselves, and those bastards always talk about the purity of race.
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All of us were slowly losing that intellectual light that allows you always to tell the similar from the identical, the metaphorical from the real.
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I always assume that a good book is more intelligent than its author. It can say things that the writer is not aware of.
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Because of lies, we can produce and invent a possible world.
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We live for books. A sweet mission in this world dominated by disorder and decay.
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Simple mechanisms do not love.
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True learning must not be content with ideas, which are, in fact, signs, but must discover things in their individual truth.
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There is only one thing that you write for yourself, and that is a shopping list.
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Then why do you want to know? Because learning does not consist only of knowing what we must or we can do, but also of knowing what we could do and perhaps should not do.
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The Internet gives us everything and forces us to filter it not by the workings of culture, but with our own brains. This risks creating six billion separate encyclopedias, which would prevent any common understanding whatsoever.
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The book is like the spoon, scissors, the hammer, the wheel. Once invented, it cannot be improved. You cannot make a spoon that is better than a spoon... The book has been thoroughly tested, and it's very hard to see how it could be improved on for its current purposes.
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I seem to know all the cliches, but not how to put them together in a believable way. Or else these stories are terrible and grandiose precisely because all the cliches intertwine in an unrealistic way and you can't disentangle them. But when you actually live a cliche, it feels brand new, and you are unashamed.
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