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Reflecting on these complex relationships between reader and story, fiction and life, can constitute a form of therapy against the sleep of reason, which generates monsters.
Umberto Eco
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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Fiction
Constitute
Sleep
Reflecting
Story
Therapy
Form
Monsters
Stories
Complexes
Reason
Complex
Life
Relationships
Reader
Generates
More quotes by Umberto Eco
...we can only add to the world, where we believe it ends, more parts similar to those we already know (an expanse made again and always of water and land, stars and skies).
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Nothing can shake my belief that this world is the fruit of a dark god whose shadow I extend.
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Even today, I frequently meet scientists who, outside their own narrow discipline, are superstitious.
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He had prepared his death much earlier, in his imagination, unaware that his imagination, more creative than he, was planning the reality of that death.
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The wise man does not discriminate he gathers all the shreds of light, from wherever they may come.
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For the enemy to be recognized and feared, he has to be in your home or on your doorstep.
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As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.
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You’ll come back To me . . . It’s written in the stars, you see, you’ll come back. You’ll come back, it’s a fact that I am strong because I do believe in you.
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The hand of God creates it does not conceal.
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I started to work in television for three or four years, in 1954. There was one channel of television, black and white. But it could be entertaining and educational. During the evening they showed important plays, opera or Shakespeare's tragedies.
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But Italy is not an intellectual country. On the subway in Tokyo everybody reads. In Italy, they don't. Don't evaluate Italy from the fact that it produced Raphael and Michelangelo.
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The art of splitting hairs four ways. This is the department of useless techniques. Mechanical Avunculogratulation, for example, is how to build machines for greeting uncles. We're not sure, though, if Pylocatabasis belongs, since it's the art of being saved by a hair. Somehow that doesn't seem completely useless.
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I think of myself as a serious professor who, during the weekend, writes novels.
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In the construction of Immortal Fame you need first of all a cosmic shamelessness.
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Hypotyposis is the rhetorical effect by which words succeed in rendering a visual scene.
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I suspect that there is no serious scholar who doesn’t like to watch television. I’m just the only one who confesses.
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I love the secrecy of writing fiction. When I write a novel, I don't tell anybody what I'm doing. I'm living in my private world. And it's a great sensation.
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To read a paper book is another experience: you can do it on a ship, on the branch of a tree, on your bed, even if there is a blackout.
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I was the type who looked at discussions of What Is Truth only with a view toward correcting the manuscript. If you were to quote I am that I am, for example, I thought that the fundamental problem was where to put the comma, inside the quotation marks or outside.
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Each of us is sometimes a cretin, a fool, a moron, or a lunatic. A normal person is just a reasonable mix of these components, these four ideal types.
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