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Reflecting on these complex relationships between reader and story, fiction and life, can constitute a form of therapy against the sleep of reason, which generates monsters.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Sleep
Reflecting
Story
Therapy
Form
Monsters
Stories
Complexes
Reason
Complex
Life
Relationships
Reader
Generates
Fiction
Constitute

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The comic is the perception of the opposite humor is the feeling of it.
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Your masters at Oxford have taught you to idolize reason, drying up the prophetic capacities of your heart!
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Thus I rediscovered what writers have always known (and have told us again and again): books always speak of other books, and every story tells a story that has already been told.
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All the religious wars that have caused blood to be shed for centuries arise from passionate feelings and facile counter-positions, such as Us and Them, good and bad, white and black.
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A dream is a scripture, and many scriptures are nothing but dreams.
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In the construction of Immortal Fame you need first of all a cosmic shamelessness.
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One of the problems I have always discussed is the refusal to distinguish between comment and fact. The newspaper wraps every fact into a comment. It is impossible to give mere fact without establishing point of view.
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He who laughs does not believe in what he laughs at, but neither does he hate it. Therefore, laughing at evil means not preparing oneself to combat it, and laughing at good means denying the power through which good is self-propagating.
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I was the type who looked at discussions of What Is Truth only with a view toward correcting the manuscript. If you were to quote I am that I am, for example, I thought that the fundamental problem was where to put the comma, inside the quotation marks or outside.
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As a scholar I am interested in the philosophy of language, semiotics, call it what you want, and one of the main features of the human language is the possibility of lying.
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If culture did not filter, it would be inane - as inane as the formless, boundless Internet is on its own. And if we all possessed the boundless knowledge of the Web, we would be idiots! Culture is an instrument for making a hierarchical system of intellectual labor.
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Because of lies, we can produce and invent a possible world.
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There are four kinds of people in this world: cretins, fools, morons, and lunatics.
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There are no stories without meaning. And I am one of those men who can find it even when others fail to see it. Afterwards the story becomes the book of the living, like a blaring trumpet that raises from the tomb those who have been dust for centuries.
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You cannot believe what you are saying. Well, no. Hardly ever. But the philosopher is like the poet. The latter composes ideal letters for an ideal nymph, only to plumb with his words the depths of passion. The philosopher tests the coldness of his gaze, to see how far he can undermine the fortress of bigotry.
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It is a myth of publishers that people want to read easy things.
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I could work in the shower if I had plastic paper.
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Yes, I know, it's not the truth, but in a great history little truths can be altered so that the greater truth emerges.
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