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I do not remember where I read that there are two kinds of poets: the good poets, who at a certain point destroy their bad poems and go off to run guns in Africa, and the bad poets, who publish theirs and keep writing more until they die.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Writing
Dies
Guns
Kind
Point
Poems
Good
Read
Poets
Running
Africa
Keep
Gun
Two
Destroy
Certain
Kinds
Remember
Poet
Publish

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Since I became a novelist I have discovered that I am biased. Either I think a new novel is worse than mine and I don’t like it, or I suspect it is better than my novels and I don’t like it.
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I believe all sin, love, glory are this: when you slide down the knotted sheets, escaping from Gestapo headquarters, and she hugs you, there, suspended, and she whispers that she's always dreamed of you. The rest is just sex, copulation, the perpetuation of the vile species.
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But laughter is weakness, corruption, the foolishness of our flesh.
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To play the trumpet, you must train your lips for a long time. When I was twelve or thirteen I was a good player, but I lost the skill and now I play very badly. I do it every day even so. The reason is that I want to return to my childhood. For me, the trumpet is evidence of the sort of young man I was.
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I have come to believe that the whole world is an enigma, a harmless enigma that is made terrible by our own mad attempt to interpret it as though it had an underlying truth.
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We live for books. A sweet mission in this world dominated by disorder and decay.
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I started to work in television for three or four years, in 1954. There was one channel of television, black and white. But it could be entertaining and educational. During the evening they showed important plays, opera or Shakespeare's tragedies.
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There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.
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Every man is obsessed by the memories of his own youth.
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I don't want to write a novel per year. I know that I need a break of one or two years. So maybe I invent some new, urgent activity so I don't fall into the trap of starting a new novel.
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I was a fervent Catholic, and I belonged to the national organizations, even becoming one of the national leaders, until the age of 21, 22.
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Stopgaps do belong to the internal economy of the form, since the Whole requires them, even if only in a subordinate position ... The stopgap Luigi Paryson's 'zeppa' accepts its own banality, because without the speed that the banal allows up, it would slow up a passage that is crucial for the outcome of the work and its interpretation.
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We like lists because we don't want to die.
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Then why do you want to know? Because learning does not consist only of knowing what we must or we can do, but also of knowing what we could do and perhaps should not do.
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The order that our mind imagines is like a net, or like a ladder, built to attain something. But afterward you must throw the ladder away, because you discover that, even if it was useful, it was meaningless.
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Contemporary societies have lost the sense of the feast but have kept the obscure drive for it.
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The most interesting letters I received about 'The Name of the Rose' were from people in the Midwest that maybe didn't understand exactly, but wanted to understand more and who were excited by this picture of a world which was not their own.
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You cannot escape one infinite, I told myself, by fleeing to another. You cannot escape the revelation of the identical by taking refuge in the illusion of the multiple.
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To imagine secret societies and conspiracy is a way not to react to the social and political life. Because you say, We don't know who they are. We cannot react without reasoning. So it is a way to keep people far from the political environment.
Umberto Eco
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The pleasures of love are pains that become desirable, where sweetness and torment blend, and so love is voluntary insanity, infernal paradise, and celestial hell - in short, harmony of opposite yearnings, sorrowful laughter, soft diamond.
Umberto Eco