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All of us were slowly losing that intellectual light that allows you always to tell the similar from the identical, the metaphorical from the real.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Light
Metaphorical
Real
Identical
Always
Similar
Thinking
Slowly
Allows
Losing
Intellectual
Tell

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I started to work in television for three or four years, in 1954. There was one channel of television, black and white. But it could be entertaining and educational. During the evening they showed important plays, opera or Shakespeare's tragedies.
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The hand of God creates it does not conceal.
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The photograph [of Che Guevara], for a civilization now accustomed to thinking in images, was not the description of a single event... it was an argument.
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Each of us is sometimes a cretin, a fool, a moron, or a lunatic. A normal person is just a reasonable mix of these components, these four ideal types.
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All the stories I would like to write persecute me. When I am in my chamber, it seems as if they are all around me, like little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful.
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Even today, I frequently meet scientists who, outside their own narrow discipline, are superstitious.
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Mystical additions and subtractions always come out the way you want.
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If culture did not filter, it would be inane - as inane as the formless, boundless Internet is on its own. And if we all possessed the boundless knowledge of the Web, we would be idiots! Culture is an instrument for making a hierarchical system of intellectual labor.
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The author may not interpret. But he must tell why and how he wrote his book.
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On sober reflection, I find few reasons for publishing my Italian version of an obscure, neo-Gothic French version of a seventeenth century Latin edition of a work written in Latin by a German Monk toward the end of the fourteenth century...First of all, what style should I employ?
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Since I became a novelist I have discovered that I am biased. Either I think a new novel is worse than mine and I don’t like it, or I suspect it is better than my novels and I don’t like it.
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Today I realize that many recent exercises in deconstructive reading read as if inspired by my parody. This is parody's mission: it must never be afraid of going too far. If its aim is true, it simply heralds what others will later produce, unblushing, with impassive and assertive gravity.
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That is a real attitude - to see everything as being meaningful, even the less important things, to prove something, even the greater problems of life.
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Then we are living in a place abandoned by God, I said, disheartened. Have you found any places where God would have felt at home? William asked me, looking down from his great height.
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The wise man does not discriminate he gathers all the shreds of light, from wherever they may come.
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I felt no passion, no jealousy, no nostalgia. I was hollow, clear-headed, clean, and as emotionless as an aluminum pot.
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I like nicotine because it excites my brain and helps me work.
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They say that a cat, if it falls from a window and hits its nose, can lose its sense of smell and then, because cats live by their ability to smell, it can no longer recognize things. I'm a cat that hit its nose.
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I was a fervent Catholic, and I belonged to the national organizations, even becoming one of the national leaders, until the age of 21, 22.
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There are magic moments, involving great physical fatigue and intense motor excitement, that produce visions of people known in the past. As I learned later from the delightful little book of the Abbé de Bucquoy, there are also visions of books as yet unwritten.
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