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Perhaps I am not as wise as I like to think I am.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Perhaps
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Originality and creativity are nothing but the result of the wise management of combinations. The creative genius combines more rapidly, and with a greater critical sense of what gets tossed out and what gets saved, the same material that the failed genius has to work with.
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I think that at a certain age, say fifteen or sixteen, poetry is like masturbation. But later in life good poets burn their early poetry, and bad poets publish it. Thankfully I gave up rather quickly.
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Each of us is sometimes a cretin, a fool, a moron, or a lunatic. A normal person is just a reasonable mix of these components, these four ideal types.
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For the enemy to be recognized and feared, he has to be in your home or on your doorstep.
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For Mallarmé naming an object meant suppressing three-quarters of its poetic pleasure (which consists in the joy of guessing bit by bit - le suggérer, voilà le rêve!).
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The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the pressure of a body. At times it reproduces the impression a body has left in our mind: it is the print of an idea.
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The French, the Italians, the Germans, the Spanish and the English have spent centuries killing each other.
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For many years I have devoted articles and essays to newspapers, from the inside. So criticism of the newspapers was a topic that I practiced for a long time.
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It is necessary to meditate early, and often, on the art of dying to succeed later in doing it properly just once.
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On sober reflection, I find few reasons for publishing my Italian version of an obscure, neo-Gothic French version of a seventeenth century Latin edition of a work written in Latin by a German Monk toward the end of the fourteenth century...First of all, what style should I employ?
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The truth is an anagram of an anagram.
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The hand of God creates it does not conceal.
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Naturally, everything depends on one's background books and on what one is looking for.
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Creativity can only be anarchic, capitalist, Darwinian.
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I like nicotine because it excites my brain and helps me work.
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Books are not made to be believed, but to be subjected to inquiry.
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A secret is powerful when it is empty. People often mention the Masonic secret. What on earth is the Masonic secret? No one can tell. As long as it remains empty it can be filled up with every possible notion, and it has power.
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Even today, I frequently meet scientists who, outside their own narrow discipline, are superstitious.
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A writer writes for writers, a non-writer writes for his next-door neighbor or for the manager of the local bank branch, and he fears (often mistakenly) that they would not understand or, in any case, would not forgive his boldness.
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Nothing is more fleeting than external form, which withers and alters like the flowers of the field at the appearance of autumn.
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