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I am a professor who writes novels on Sundays

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Professors
Novels
Sunday
Novel
Writing
Sundays
Professor
Writes

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Yesterday's rose endures in its name, we hold empty names.
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When one starts writing a book, especially a novel, even the humblest person in the world hopes to become Homer.
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My poetry had the same functional origin and the same formal configuration as teenage acne.
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It is psychologically very hard to go through life without the justification, and the hope, provided by religion.
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A book is a fragile creature. It suffers the wear of time, it fears rodents, the elements, clumsy hands.
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I have come to believe that the whole world is an enigma, a harmless enigma that is made terrible by our own mad attempt to interpret it as though it had an underlying truth.
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The French, the Italians, the Germans, the Spanish and the English have spent centuries killing each other.
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Poetry is not a matter of feelings, it is a matter of language. It is language which creates feelings.
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Reflecting on these complex relationships between reader and story, fiction and life, can constitute a form of therapy against the sleep of reason, which generates monsters.
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I believe that you can reach the point where there is no longer any difference between developing the habit of pretending to believe and developing the habit of believing.
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The step between ecstatic vision and sinful frenzy is all too brief.
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When men stop believing in God, it isn't that they then believe in nothing: they believe in everything.
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Books are menaced by books. Any excess of information produces silence.
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We have a limit, a very discouraging, humiliating limit: death. That's why we like all the things that we assume have no limits and, therefore, no end. It's a way of escaping thoughts about death. We like lists because we don't want to die.
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Originality and creativity are nothing but the result of the wise management of combinations. The creative genius combines more rapidly, and with a greater critical sense of what gets tossed out and what gets saved, the same material that the failed genius has to work with.
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From lies to forgeries the step is not so long, and I have written technical essays on the logic of forgeries and on the influence of forgeries on history.
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Books are not made to be believed, but to be subjected to inquiry. When we consider a book, we mustn't ask ourselves what it says but what it means.
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Memory is a stopgap for humans, for whom time flies and what is passed is passed.
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Thus we have on stage two men, each of whom knows nothing of what he believes the other knows, and to deceive each other reciprocally both speak in allusions, each of the two hoping (in vain) that the other holds the key to his puzzle.
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To imagine secret societies and conspiracy is a way not to react to the social and political life. Because you say, We don't know who they are. We cannot react without reasoning. So it is a way to keep people far from the political environment.
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