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Writing doesn't mean necessarily putting words on a sheet of paper. You can write a chapter while walking or eating.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Writing
Putting
Eating
Paper
Walking
Sheet
Words
Chapter
Write
Sheets
Doesn
Chapters
Mean
Necessarily

More quotes by Umberto Eco

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I don't see the point of having 80 million people online if all they are doing in the end is talking to ghosts in the suburbs.
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Rem tene, verba sequentur: grasp the subject, and the words will follow. This, I believe, is the opposite of what happens with poetry, which is more a case of verba tene, res sequenter: grasp the words, and the subject will follow.
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A library's ideal function is to be a little bit like a bouquiniste's stall, a place for trouvailles.
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We are always remaking history. Our memory is always an interpretive reconstruction of the past, so is perspective.
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How beautiful was the spectacle of nature not yet touched by the often perverse wisdom of man!
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And what would we be, we sinful creatures, without fear, perhaps the most foresighted, the most loving of the divine gifts?
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I felt no passion, no jealousy, no nostalgia. I was hollow, clear-headed, clean, and as emotionless as an aluminum pot.
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It is psychologically very hard to go through life without the justification, and the hope, provided by religion.
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I started to write [The Name of the Rose] in March of 1978, moved by a seminal idea. I wanted to poison a monk.
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Every great thinker is someone else's moron.
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Whenever a poet or preacher, chief or wizard spouts gibberish, the human race spends centuries deciphering the message.
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From lies to forgeries the step is not so long, and I have written technical essays on the logic of forgeries and on the influence of forgeries on history.
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After so many years even the fire of passion dies, and with it what was believed the light of the truth. Who of us is able to say now whether Hector or Achilles was right, Agamemnon or Priam, when they fought over the beauty of a woman who is now dust and ashes?
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He who laughs does not believe in what he laughs at, but neither does he hate it. Therefore, laughing at evil means not preparing oneself to combat it, and laughing at good means denying the power through which good is self-propagating.
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National identity is the last bastion of the dispossessed. But the meaning of identity is now based on hatred, on hatred for those who are not the same.
Umberto Eco
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Thus I rediscovered what writers have always known (and have told us again and again): books always speak of other books, and every story tells a story that has already been told.
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I consider always the adult life to be the continuous retrieval of childhood.
Umberto Eco
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I have lost the freedom of not having an opinion.
Umberto Eco
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The art of splitting hairs four ways. This is the department of useless techniques. Mechanical Avunculogratulation, for example, is how to build machines for greeting uncles. We're not sure, though, if Pylocatabasis belongs, since it's the art of being saved by a hair. Somehow that doesn't seem completely useless.
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What is love? There is nothing in the world, neither man nor Devil nor any thing, that I hold as suspect as love, for it penetrates the soul more than any other thing. Nothing exists that so fills and binds the heart as love does. Therefore, unless you have those weapons that subdue it, the soul plunges through love into an immense abyss.
Umberto Eco