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For, I must tell you, in this world where today all lose their minds over many & wondrous Machines - some of which, alas, you can see also in this Siege - I construct Aristotelian Machines, that allow anyone to see with Words.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Tell
Alas
Also
Machines
Today
Allow
Many
Minds
Aristotelian
Must
Lose
Siege
Mind
Loses
Wondrous
World
Anyone
Construct
Words
Constructs

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For such is the fate of parody: it must never fear exaggerating. If it strikes home, it will only prefigure something that others will then do without a smile--and without a blush--in steadfast virile seriousness.
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We are always remaking history. Our memory is always an interpretive reconstruction of the past, so is perspective.
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A book is a fragile creature, it suffers the wear of time, it fears rodents, the elements and clumsy hands. so the librarian protects the books not only against mankind but also against nature and devotes his life to this war with the forces of oblivion.
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I am not on Facebook and on Twitter because the purpose of my life is to avoid messages. I receive too many messages from the world, and so I try to avoid that.
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A human best, which is very little. Its hard to accept the idea that there cannot be an order in the universe because it would offend the free will of God and His omnipotence. So the freedom of God is our condemnation, or at least the condemnation of our pride.
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On sober reflection, I find few reasons for publishing my Italian version of an obscure, neo-Gothic French version of a seventeenth century Latin edition of a work written in Latin by a German Monk toward the end of the fourteenth century...First of all, what style should I employ?
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Any fact becomes important when it's connected to another.
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I do not remember where I read that there are two kinds of poets: the good poets, who at a certain point destroy their bad poems and go off to run guns in Africa, and the bad poets, who publish theirs and keep writing more until they die.
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I started to write [The Name of the Rose] in March of 1978, moved by a seminal idea. I wanted to poison a monk.
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...we can only add to the world, where we believe it ends, more parts similar to those we already know (an expanse made again and always of water and land, stars and skies).
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The Art of the Romance, though warning us that it is providing fictions, opens a door into the Palace of Absurdity, and when we have lightly stepped inside, slams it shut behind us.
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A secret is powerful when it is empty. People often mention the Masonic secret. What on earth is the Masonic secret? No one can tell. As long as it remains empty it can be filled up with every possible notion, and it has power.
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Daytime sleep is like the sin of the flesh the more you have the more you want, and yet you feel unhappy, sated and unsated at the same time.
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The Roseicrucians were everywhere, aided by the fact that they didn't exist.
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To imagine secret societies and conspiracy is a way not to react to the social and political life. Because you say, We don't know who they are. We cannot react without reasoning. So it is a way to keep people far from the political environment.
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There is only one thing that you write for yourself, and that is a shopping list.
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If western culture is shown to be rich it is because, even before the Enlightenment, it has tried to dissolve harmful simplifications through inquiry and the critical mind.
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I have come to believe that the whole world is an enigma, a harmless enigma that is made terrible by our own mad attempt to interpret it as though it had an underlying truth.
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There is no great sport in having bullets flying about one in every direction, but I find they have less horror when among them than when in anticipation.
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Deciding what is being talked about is a kind of interpretive bet.
Umberto Eco