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He had prepared his death much earlier, in his imagination, unaware that his imagination, more creative than he, was planning the reality of that death.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Creative
Death
Reality
Much
Unaware
Earlier
Planning
Prepared
Imagination

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They [the Templars] had read Avicenna, and they were not ignorant, like the Europeans. How could you live alongside a tolerant, mystical, libertine culture for two centuries without succumbing to its allure, particularly when you compared it to Western culture, which was crude, vulgar, barbaric, and Germanic?
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We know that sensory phenomena are transcribed in the photographic emulsion in such a way that even if there is a causal link with the real phenomena, the graphic images can be considered as wholly arbitrary with respect to these phenomena.
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Monsters exist because they are part of the divine plan, and in the horrible features of those same monsters the power of the creator is revealed.
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The real hero is always a hero by mistake he dreams of being an honest coward like everybody else.
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We invented the car, and it made it easier for us to crash and die. If I gave a car to my grandfather, he would die in five minutes, while I have grown up slowly to accept speed.
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I have always been fascinated by paranoid people imagining conspiracies. I am fascinated by this in a critical way.
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When one starts writing a book, especially a novel, even the humblest person in the world hopes to become Homer.
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A human best, which is very little. Its hard to accept the idea that there cannot be an order in the universe because it would offend the free will of God and His omnipotence. So the freedom of God is our condemnation, or at least the condemnation of our pride.
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Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.
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Semiotics is in principle the discipline studying everything which can be used in order to lie. If something cannot be used to tell a lie, conversely it cannot be used to tell the truth: it cannot in fact be used to tell at all.
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I think that at a certain age, say fifteen or sixteen, poetry is like masturbation. But later in life good poets burn their early poetry, and bad poets publish it. Thankfully I gave up rather quickly.
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Yesterday's rose endures in its name, we hold empty names.
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It is necessary to meditate early, and often, on the art of dying to succeed later in doing it properly just once.
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Daytime sleep is like the sin of the flesh the more you have the more you want, and yet you feel unhappy, sated and unsated at the same time.
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I have come to believe that the whole world is an enigma, a harmless enigma that is made terrible by our own mad attempt to interpret it as though it had an underlying truth.
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Contemporary societies have lost the sense of the feast but have kept the obscure drive for it.
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But laughter is weakness, corruption, the foolishness of our flesh.
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You cannot escape one infinite, I told myself, by fleeing to another. You cannot escape the revelation of the identical by taking refuge in the illusion of the multiple.
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You cannot believe what you are saying. Well, no. Hardly ever. But the philosopher is like the poet. The latter composes ideal letters for an ideal nymph, only to plumb with his words the depths of passion. The philosopher tests the coldness of his gaze, to see how far he can undermine the fortress of bigotry.
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My father was an accountant and his father was a typographer.
Umberto Eco