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The Art of the Romance, though warning us that it is providing fictions, opens a door into the Palace of Absurdity, and when we have lightly stepped inside, slams it shut behind us.
Umberto Eco
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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Doors
Palaces
Behinds
Absurdity
Behind
Opens
Slams
Fiction
Warning
Fictions
Inside
Providing
Palace
Though
Shut
Slam
Art
Romance
Stepped
Door
Lightly
More quotes by Umberto Eco
I do not remember where I read that there are two kinds of poets: the good poets, who at a certain point destroy their bad poems and go off to run guns in Africa, and the bad poets, who publish theirs and keep writing more until they die.
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It is sometimes hard to grasp the difference between identifying with one's own roots, understanding people with other roots, and judging what is good or bad.
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The truth is a young maiden as modest as she is beautiful, and therefore she is always seen cloaked.
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The real hero is always a hero by mistake he dreams of being an honest coward like everybody else.
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Not that the incredulous person doesn't believe in anything. It's just that he doesn't believe in everything.
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Where else? I belong to a lost generation and am comfortable only in the company of others who are lost and lonely.
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When we traded the results of our fantasies, it seemed to us-and rightly-that we had proceeded by unwarranted associations, by shortcuts so extraordinary that, if anyone had accused us of really believing them, we would have been ashamed.
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If photography is to be likened to perception, this is not because the former is a natural process but because the latter is also coded.
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Creativity can only be anarchic, capitalist, Darwinian.
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Sometimes my characters are not myself.
Umberto Eco
You cannot believe what you are saying. Well, no. Hardly ever. But the philosopher is like the poet. The latter composes ideal letters for an ideal nymph, only to plumb with his words the depths of passion. The philosopher tests the coldness of his gaze, to see how far he can undermine the fortress of bigotry.
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I am not on Facebook and on Twitter because the purpose of my life is to avoid messages. I receive too many messages from the world, and so I try to avoid that.
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This, in fact, is the power of the imagination, which, combining the memory of gold with that of the mountain, can compose the idea of a golden mountain.
Umberto Eco
I'm always fascinated by losers. Also, in my Foucault's Pendulum, the main characters, who are in a way losers, they are more interesting than the winners.
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The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the pressure of a body. At times it reproduces the impression a body has left in our mind: it is the print of an idea.
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Books are not made to be believed, but to be subjected to inquiry.
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Then we are living in a place abandoned by God, I said, disheartened. Have you found any places where God would have felt at home? William asked me, looking down from his great height.
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Every man is obsessed by the memories of his own youth.
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There is no great sport in having bullets flying about one in every direction, but I find they have less horror when among them than when in anticipation.
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Your masters at Oxford have taught you to idolize reason, drying up the prophetic capacities of your heart!
Umberto Eco