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A narrator should not supply interpretations of his work otherwise he would have not written a novel, which is a machine for generating interpretations.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Would
Supply
Interpretation
Machine
Otherwise
Machines
Narrator
Novel
Narrators
Written
Generating
Work
Interpretations

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The Devil is not the Prince of Matter the Devil is the arrogance of the spirit, faith without smile, truth that is never seized by doubt. The Devil is grim because he knows where he is going, and, in moving, he always returns whence he came.
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I started to write [The Name of the Rose] in March of 1978, moved by a seminal idea. I wanted to poison a monk.
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The older I grow and the more I abandon myself to God's will, the less I value intelligence that wants to know and will that wants to do and as the only element of salvation I recognize faith, which can wait patiently, without asking too many questions.
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I believe that what we become depends on what our fathers teach us at odd moments, when they aren't trying to teach us. We are formed by little scraps of wisdom.
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Semiotics is in principle the discipline studying everything which can be used in order to lie. If something cannot be used to tell a lie, conversely it cannot be used to tell the truth: it cannot in fact be used to tell at all.
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The cultivated person's first duty is to be always prepared to rewrite the encyclopedia.
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The Enlightenment, the Age of Reason, is seen as the beginning of modern depravity.
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libraries are fascinating places: sometimes you feel you are under the canopy of a railway station, and when you read books about exotic places there's a feeling of travelling to distant lands
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Fools are in great demand, especially on social occasions. They embarrass everyone but provide material for conversation. In their positive form, they become diplomats.
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Nothing can shake my belief that this world is the fruit of a dark god whose shadow I extend.
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The Art of the Romance, though warning us that it is providing fictions, opens a door into the Palace of Absurdity, and when we have lightly stepped inside, slams it shut behind us.
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A book is a fragile creature. It suffers the wear of time, it fears rodents, the elements, clumsy hands.
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A human best, which is very little. Its hard to accept the idea that there cannot be an order in the universe because it would offend the free will of God and His omnipotence. So the freedom of God is our condemnation, or at least the condemnation of our pride.
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In the construction of Immortal Fame you need first of all a cosmic shamelessness.
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We live for books.
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I have a good memory. But I would be interested in memory even if I had a bad memory, because I believe that memory is our soul. If we lose our memory completely, we are without a soul.
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Better reality than a dream: if something is real, then it's real and you're not to blame.
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Books are not made to be believed, but to be subjected to inquiry.
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The belief that time is a linear, directed sequence running from A to B is a modern illusion. In fact, it can also go from B to A, the effect producing the cause.
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