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On sober reflection, I find few reasons for publishing my Italian version of an obscure, neo-Gothic French version of a seventeenth century Latin edition of a work written in Latin by a German Monk toward the end of the fourteenth century...First of all, what style should I employ?

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
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Monk
Reason
French
Sober
Find
Reflection
Publishing
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Fourteenth
First
Toward
German
Seventeenth
Work
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Century
Italian
Gothic
Written
Latin
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The author may not interpret. But he must tell why and how he wrote his book.
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All the blogs, Facebook, Twitter are made by people who want to show their own private affairs at the price of making fakes, to try to appear such as they are not, to construct another personality, which is a veritable loss of identity.
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I'm always fascinated by losers. Also, in my Foucault's Pendulum, the main characters, who are in a way losers, they are more interesting than the winners.
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Daytime sleep is like the sin of the flesh the more you have the more you want, and yet you feel unhappy, sated and unsated at the same time.
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And what would we be, we sinful creatures, without fear, perhaps the most foresighted, the most loving of the divine gifts?
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What we honor as prudence in our elders is simply panic in action.
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Show not what has been done, but what can be. How beautiful the world would be if there were a procedure for moving through labyrinths.
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Conspiracies do exist. Probably in this moment in New York there is an economic group making a conspiracy in order to buy three banks. But if they succeed, they are immediately discovered.
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I have a good memory. But I would be interested in memory even if I had a bad memory, because I believe that memory is our soul. If we lose our memory completely, we are without a soul.
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Once you reach your fifties, you have to stop being interested in the present and write only on Elizabethan poets.
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Two cliches make us laugh. A hundred cliches move us. For we sense dimly that the cliches are talking among themselves, and celebrating a reunion.
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The light in her eyes was beyond description, yet it did not instill improper thoughts: it inspired a love tempered by awe, purifying the hearts it inflamed.
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Naturally, everything depends on one's background books and on what one is looking for.
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We are formed by little scraps of wisdom.
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A human best, which is very little. Its hard to accept the idea that there cannot be an order in the universe because it would offend the free will of God and His omnipotence. So the freedom of God is our condemnation, or at least the condemnation of our pride.
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It comes down to a question of attention: it's difficult to use the Net distractedly, unlike the television or the radio.
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In the Middle Ages, cathendrals and convents burned like tinder imagining a medieval story without a fire is like imagining a World War II movie in the Pacific without a fighter plane shot down in flames.
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My poetry had the same functional origin and the same formal configuration as teenage acne.
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Contemporary societies have lost the sense of the feast but have kept the obscure drive for it.
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I don't know, maybe we're always looking for the right place, maybe it's within reach, but we don't recognize it. Maybe to recognize it, we have to believe in it.
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