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Monsters exist because they are part of the divine plan, and in the horrible features of those same monsters the power of the creator is revealed.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Plans
Divine
Revealed
Part
Features
Power
Monsters
Creator
Horrible
Plan
Exist

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The mobile phone... is a tool for those whose professions require a fast response, such as doctors or plumbers.
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And what would we be, we sinful creatures, without fear, perhaps the most foresighted, the most loving of the divine gifts?
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My grandfather had a particularly important influence on my life, even though I didn't visit him often, since he lived about three miles out of town and he died when I was six. He was remarkably curious about the world, and he read lots of books.
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That day, I began to be incredulous. Or, rather, I regretted having been credulous. I regretted having allowed myself to be borne away by a passion of the mind. Such is credulity.
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Every great thinker is someone else's moron.
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A book is a fragile creature. It suffers the wear of time, it fears rodents, the elements, clumsy hands.
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Someone said that patriotism is the last refuge of cowards those without moral principles usually wrap a flag around themselves, and those bastards always talk about the purity of race.
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Whenever a poet or preacher, chief or wizard spouts gibberish, the human race spends centuries deciphering the message.
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The monkish vows keep us far from that sink of vice that is the female body, but often they bring us close to other errors. Can I finally hide from myself the fact that even today my old age is still stirred by the noonday demon when my eyes, in choir, happen to linger on the beardless face of a novice, pure and fresh as a maidens?
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All of us were slowly losing that intellectual light that allows you always to tell the similar from the identical, the metaphorical from the real.
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Today I realize that many recent exercises in deconstructive reading read as if inspired by my parody. This is parody's mission: it must never be afraid of going too far. If its aim is true, it simply heralds what others will later produce, unblushing, with impassive and assertive gravity.
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I like nicotine because it excites my brain and helps me work.
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We live for books.
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Man's principle trait is a readiness to believe anything. Otherwise, how could the Church have survived for almost two thousand years in the absense of universal gullibility?
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When I went from being an academic to being a member of the community of writers some of my former colleagues did look on me with a certain resentment.
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A book is a fragile creature, it suffers the wear of time, it fears rodents, the elements and clumsy hands. so the librarian protects the books not only against mankind but also against nature and devotes his life to this war with the forces of oblivion.
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I felt like poisoning a monk.
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If culture did not filter, it would be inane - as inane as the formless, boundless Internet is on its own. And if we all possessed the boundless knowledge of the Web, we would be idiots! Culture is an instrument for making a hierarchical system of intellectual labor.
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You cannot escape one infinite, I told myself, by fleeing to another. You cannot escape the revelation of the identical by taking refuge in the illusion of the multiple.
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My generation knew pretty well what happened 50 years before our birth. Now I follow all the quiz programs because they are a paramount example of the span of memory of the young generation - they are able to remember everything that happened in their life but not before.
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