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Your masters at Oxford have taught you to idolize reason, drying up the prophetic capacities of your heart!

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Heart
Drying
Prophetic
Capacities
Oxford
Masters
Capacity
Taught
Reason
Idolize

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I suspect that there is no serious scholar who doesn’t like to watch television. I’m just the only one who confesses.
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But it has often happened that I have found the most seductive depictions of sin in the pages of those very men of incorruptible virtue who condemned their spell and their effects.
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If two things don't fit, but you believe both of them, thinking that somewhere, hidden, there must be a third thing that connects them, that's credulity.
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To read a paper book is another experience: you can do it on a ship, on the branch of a tree, on your bed, even if there is a blackout.
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The pleasures of love are pains that become desirable, where sweetness and torment blend, and so love is voluntary insanity, infernal paradise, and celestial hell - in short, harmony of opposite yearnings, sorrowful laughter, soft diamond.
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I wrote a novel because I had a yen to do it. I believe this is sufficient reason to set out to tell a story.
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I don't see the point of having 80 million people online if all they are doing in the end is talking to ghosts in the suburbs.
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I feel that I am a scholar who only with the left hand writes novels.
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He who falls in love in bars doesn't need a woman all his own. He can always find one on loan.
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My collection of rare books concerns only books that don't tell the truth.
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Semiotics is a general theory of all existing languages... all forms of communication - visual, tactile, and so on... There is general semiotics, which is a philosophical approach to this field, and then there are many specific semiotics.
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I don't know, maybe we're always looking for the right place, maybe it's within reach, but we don't recognize it. Maybe to recognize it, we have to believe in it.
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It is necessary to meditate early, and often, on the art of dying to succeed later in doing it properly just once.
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The ideology of this America wants to establish reassurance through Imitation. But profit defeats ideology, because the consumers want to be thrilled not only by the guarantee of the Good but also by the shudder of the Bad.
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On sober reflection, I find few reasons for publishing my Italian version of an obscure, neo-Gothic French version of a seventeenth century Latin edition of a work written in Latin by a German Monk toward the end of the fourteenth century...First of all, what style should I employ?
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I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it).
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If photography is to be likened to perception, this is not because the former is a natural process but because the latter is also coded.
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I was a fervent Catholic, and I belonged to the national organizations, even becoming one of the national leaders, until the age of 21, 22.
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What does culture want? To make infinity comprehensible.
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Hypotyposis is the rhetorical effect by which words succeed in rendering a visual scene.
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