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But the purpose of a story is to teach and to please at once, and what it teaches is how to recognize the snares of the world.
Umberto Eco
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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Stories
World
Snares
Teaches
Recognize
Please
Teach
Story
Purpose
More quotes by Umberto Eco
If Bush had read all the documents about the Russians and British in Afghanistan in the 19th century, he would have not done what he did in the 21st. He would have understood how difficult it was to control this territory. He probably didn't read them.
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Memory is a stopgap for humans, for whom time flies and what is passed is passed.
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The real hero is always a hero by mistake.
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The most interesting letters I received about 'The Name of the Rose' were from people in the Midwest that maybe didn't understand exactly, but wanted to understand more and who were excited by this picture of a world which was not their own.
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Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.
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It is sometimes hard to grasp the difference between identifying with one's own roots, understanding people with other roots, and judging what is good or bad.
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The Enlightenment, the Age of Reason, is seen as the beginning of modern depravity.
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National identity is the last bastion of the dispossessed. But the meaning of identity is now based on hatred, on hatred for those who are not the same.
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Living the same sorrows three times was a suffering, but it was a suffering to relive even the same joys. The joy of life is born from feeling, whether it be joy or grief, always of short duration, and woe to those who know they will enjoy eternal bliss.
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A transposable aphorism is a malaise of the urge to be witty, or in other words, a maxim that is untroubled by the fact that the opposite of what it says is equally true so long as it appears to be funny.
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By means of the sign, man frees himself from the here and now for abstraction.
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For many years I have devoted articles and essays to newspapers, from the inside. So criticism of the newspapers was a topic that I practiced for a long time.
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That day, I began to be incredulous. Or, rather, I regretted having been credulous. I regretted having allowed myself to be borne away by a passion of the mind. Such is credulity.
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To imagine secret societies and conspiracy is a way not to react to the social and political life. Because you say, We don't know who they are. We cannot react without reasoning. So it is a way to keep people far from the political environment.
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For such is the fate of parody: it must never fear exaggerating. If it strikes home, it will only prefigure something that others will then do without a smile--and without a blush--in steadfast virile seriousness.
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New Orleans is not in the grip of a neurosis of a denied past it passes out memories generously like a great lord it doesn't have to pursue the real thing.
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For the enemy to be recognized and feared, he has to be in your home or on your doorstep.
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A novel is a machine for generating interpretations.
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I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it).
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The cultivated person's first duty is to be always prepared to rewrite the encyclopedia.
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