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When you are on the dancefloor, there is nothing to do but dance.
Umberto Eco
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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Dance
Nothing
More quotes by Umberto Eco
The step between ecstatic vision and sinful frenzy is all too brief.
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The belief that time is a linear, directed sequence running from A to B is a modern illusion. In fact, it can also go from B to A, the effect producing the cause.
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Never affirm, always allude: allusions are made to test the spirit and probe the heart.
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Where else? I belong to a lost generation and am comfortable only in the company of others who are lost and lonely.
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There are more books in the world than hours in which to read them. We are thus deeply influenced by books we haven't read, that we haven't had the time to read.
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A newspaper can follow the compulsions, the desires of the readers. Take the English evening newspapers - they are following the readers' desires when they are interested only in the royal family gossip. But even the most objective, serious newspaper in the world designs the way in which the reader could or should think. That's unavoidable.
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We like lists because we don't want to die.
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Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.
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You cannot believe what you are saying. Well, no. Hardly ever. But the philosopher is like the poet. The latter composes ideal letters for an ideal nymph, only to plumb with his words the depths of passion. The philosopher tests the coldness of his gaze, to see how far he can undermine the fortress of bigotry.
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If culture did not filter, it would be inane - as inane as the formless, boundless Internet is on its own. And if we all possessed the boundless knowledge of the Web, we would be idiots! Culture is an instrument for making a hierarchical system of intellectual labor.
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Originality and creativity are nothing but the result of the wise management of combinations. The creative genius combines more rapidly, and with a greater critical sense of what gets tossed out and what gets saved, the same material that the failed genius has to work with.
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If photography is to be likened to perception, this is not because the former is a natural process but because the latter is also coded.
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For Mallarmé naming an object meant suppressing three-quarters of its poetic pleasure (which consists in the joy of guessing bit by bit - le suggérer, voilà le rêve!).
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An idea you have might not be original. But by creating a novel out of that idea you can make it original.
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Only an unhinged movie survives as a disconnected series of images, of peaks, of visual icebergs. It should display not one central idea but many. It should not reveal a coherent philosophy of composition. It must live on, and because of, its glorious ricketiness.
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The question of manuscript changes is very important for literary criticism, the psychology of creation and other aspects of the study of literature.
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It is sometimes hard to grasp the difference between identifying with one's own roots, understanding people with other roots, and judging what is good or bad.
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Memory is a stopgap for humans, for whom time flies and what is passed is passed.
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I do not remember where I read that there are two kinds of poets: the good poets, who at a certain point destroy their bad poems and go off to run guns in Africa, and the bad poets, who publish theirs and keep writing more until they die.
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Deciding what is being talked about is a kind of interpretive bet.
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