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The problem with the Internet is that it gives you everything - reliable material and crazy material. So the problem becomes, how do you discriminate?

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Giving
Material
Materials
Internet
Gives
Becomes
Crazy
Problem
Discriminate
Everything
Reliable

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A library's ideal function is to be a little bit like a bouquiniste's stall, a place for trouvailles.
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The older I grow and the more I abandon myself to God's will, the less I value intelligence that wants to know and will that wants to do and as the only element of salvation I recognize faith, which can wait patiently, without asking too many questions.
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There are two kinds of friendship: one is genuine affection, the other is inability to refuse.
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At most, recognizing that our history was inspired by many tales we now recognize as false should make us alert, ready to call to constantly into question the very tale we believe true, because the criterion of the wisdom of the community is based on constant awareness of the fallibility of our learning.
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A human best, which is very little. Its hard to accept the idea that there cannot be an order in the universe because it would offend the free will of God and His omnipotence. So the freedom of God is our condemnation, or at least the condemnation of our pride.
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I don't miss my youth. I'm glad I had one, but I wouldn't like to start over.
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You cannot believe what you are saying. Well, no. Hardly ever. But the philosopher is like the poet. The latter composes ideal letters for an ideal nymph, only to plumb with his words the depths of passion. The philosopher tests the coldness of his gaze, to see how far he can undermine the fortress of bigotry.
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They [the Templars] had read Avicenna, and they were not ignorant, like the Europeans. How could you live alongside a tolerant, mystical, libertine culture for two centuries without succumbing to its allure, particularly when you compared it to Western culture, which was crude, vulgar, barbaric, and Germanic?
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The only truth lies in learning to free ourselves from insane passion for the truth.
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The Enlightenment, the Age of Reason, is seen as the beginning of modern depravity.
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Fools are in great demand, especially on social occasions. They embarrass everyone but provide material for conversation. In their positive form, they become diplomats.
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Thus I rediscovered what writers have always known (and have told us again and again): books always speak of other books, and every story tells a story that has already been told.
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Mystical additions and subtractions always come out the way you want.
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Today I realize that many recent exercises in deconstructive reading read as if inspired by my parody. This is parody's mission: it must never be afraid of going too far. If its aim is true, it simply heralds what others will later produce, unblushing, with impassive and assertive gravity.
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What does culture want? To make infinity comprehensible.
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The only truths that are useful are instruments to be thrown away.
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I felt no passion, no jealousy, no nostalgia. I was hollow, clear-headed, clean, and as emotionless as an aluminum pot.
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I have lost the freedom of not having an opinion.
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He who laughs does not believe in what he laughs at, but neither does he hate it. Therefore, laughing at evil means not preparing oneself to combat it, and laughing at good means denying the power through which good is self-propagating.
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