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I love the secrecy of writing fiction. When I write a novel, I don't tell anybody what I'm doing. I'm living in my private world. And it's a great sensation.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Writing
Private
Love
Anybody
World
Novel
Fiction
Living
Write
Secrecy
Tell
Sensation
Great
Sensations

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Not bad, not bad at all, Diotallevi said. To arrive at the truth through the painstaking reconstruction of a false text.
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And so I fell devoutly asleep and slept a long time, because young people seem to need sleep more than the old, who have already slept so much and are preparing to sleep for all eternity.
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The belief that time is a linear, directed sequence running from A to B is a modern illusion. In fact, it can also go from B to A, the effect producing the cause.
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There are two kinds of friendship: one is genuine affection, the other is inability to refuse.
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Poetry is not a matter of feelings, it is a matter of language. It is language which creates feelings.
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Living the same sorrows three times was a suffering, but it was a suffering to relive even the same joys. The joy of life is born from feeling, whether it be joy or grief, always of short duration, and woe to those who know they will enjoy eternal bliss.
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Deciding what is being talked about is a kind of interpretive bet.
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The more elusive and ambiguous a symbol is, the more it gains significance and power.
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We live for books.
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Reflecting on these complex relationships between reader and story, fiction and life, can constitute a form of therapy against the sleep of reason, which generates monsters.
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I have always been fascinated by paranoid people imagining conspiracies. I am fascinated by this in a critical way.
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The Fundamental Principle that governs - or ought to govern -human affairs if we wish to avoid misunderstandings, conflicts, or pointless utopias, is negotiation.
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Sometimes you say things with a smile with the precise intention of making it clear that you are not being serious, and are only kidding. If I salute a friend with a smile and say, How are you, you old scoundrel! clearly I don't really mean he's a scoundrel.
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Nothing is more fleeting than external form, which withers and alters like the flowers of the field at the appearance of autumn.
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In the Middle Ages, cathendrals and convents burned like tinder imagining a medieval story without a fire is like imagining a World War II movie in the Pacific without a fighter plane shot down in flames.
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When your true enemies are too strong, you have to choose weaker enemies.
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We have a limit, a very discouraging, humiliating limit: death. That's why we like all the things that we assume have no limits and, therefore, no end. It's a way of escaping thoughts about death. We like lists because we don't want to die.
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Mystical additions and subtractions always come out the way you want.
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It is sometimes hard to grasp the difference between identifying with one's own roots, understanding people with other roots, and judging what is good or bad.
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How clear everything becomes when you look from the darkness of a dungeon.
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