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I don't want to write a novel per year. I know that I need a break of one or two years. So maybe I invent some new, urgent activity so I don't fall into the trap of starting a new novel.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Years
Maybe
Trap
Year
Traps
Fall
Urgent
Write
Invent
Two
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Writing
Break

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When you are on the dancefloor, there is nothing to do but dance.
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You cannot believe what you are saying. Well, no. Hardly ever. But the philosopher is like the poet. The latter composes ideal letters for an ideal nymph, only to plumb with his words the depths of passion. The philosopher tests the coldness of his gaze, to see how far he can undermine the fortress of bigotry.
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I think that at a certain age, say fifteen or sixteen, poetry is like masturbation. But later in life good poets burn their early poetry, and bad poets publish it. Thankfully I gave up rather quickly.
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Every great thinker is someone else's moron.
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I am not on Facebook and on Twitter because the purpose of my life is to avoid messages. I receive too many messages from the world, and so I try to avoid that.
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What did I really think fifteen years ago? A nonbeliever, I felt guilty in the midst of all those believers. And since it seemed to me that they were in the right, I decided to believe, as you might decide to take an aspirin: It can't hurt and you might get better.
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How clear everything becomes when you look from the darkness of a dungeon.
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There are more books in the world than hours in which to read them. We are thus deeply influenced by books we haven't read, that we haven't had the time to read.
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The problem with the Internet is that it gives you everything - reliable material and crazy material. So the problem becomes, how do you discriminate?
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What is love? There is nothing in the world, neither man nor Devil nor any thing, that I hold as suspect as love, for it penetrates the soul more than any other thing. Nothing exists that so fills and binds the heart as love does. Therefore, unless you have those weapons that subdue it, the soul plunges through love into an immense abyss.
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I suspect that there is no serious scholar who doesn’t like to watch television. I’m just the only one who confesses.
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If somebody writes a book and doesn't care for the survival of that book, he's an imbecile.
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I seem to know all the cliches, but not how to put them together in a believable way. Or else these stories are terrible and grandiose precisely because all the cliches intertwine in an unrealistic way and you can't disentangle them. But when you actually live a cliche, it feels brand new, and you are unashamed.
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The question of manuscript changes is very important for literary criticism, the psychology of creation and other aspects of the study of literature.
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A dream is a scripture, and many scriptures are nothing but dreams.
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The comic is the perception of the opposite humor is the feeling of it.
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American coffee can be a pale solution served at a temperature of 100oC
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Originality and creativity are nothing but the result of the wise management of combinations. The creative genius combines more rapidly, and with a greater critical sense of what gets tossed out and what gets saved, the same material that the failed genius has to work with.
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We are always remaking history. Our memory is always an interpretive reconstruction of the past, so is perspective.
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It comes down to a question of attention: it's difficult to use the Net distractedly, unlike the television or the radio.
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