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I would define the poetic effect as the capacity that a text displays for continuing to generate different readings, without ever being completely consumed.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Effects
Text
Reading
Poetic
Ever
Continuing
Without
Display
Different
Define
Readings
Would
Effect
Displays
Capacity
Generate
Completely
Consumed

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Libraries can take the place of God.
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A writer writes for writers, a non-writer writes for his next-door neighbor or for the manager of the local bank branch, and he fears (often mistakenly) that they would not understand or, in any case, would not forgive his boldness.
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The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the pressure of a body. At times it reproduces the impression a body has left in our mind: it is the print of an idea.
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Hypotyposis is the rhetorical effect by which words succeed in rendering a visual scene.
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[In my writing] I know that I have made a caricature out of [others' academic] theories [but] I think that caricatures are frequently good portraits.
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The light in her eyes was beyond description, yet it did not instill improper thoughts: it inspired a love tempered by awe, purifying the hearts it inflamed.
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I am a professor who writes novels on Sundays
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Originality and creativity are nothing but the result of the wise management of combinations. The creative genius combines more rapidly, and with a greater critical sense of what gets tossed out and what gets saved, the same material that the failed genius has to work with.
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We like lists because we don't want to die.
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The problem with the Internet is that it gives you everything - reliable material and crazy material. So the problem becomes, how do you discriminate?
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What did I really think fifteen years ago? A nonbeliever, I felt guilty in the midst of all those believers. And since it seemed to me that they were in the right, I decided to believe, as you might decide to take an aspirin: It can't hurt and you might get better.
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I felt no passion, no jealousy, no nostalgia. I was hollow, clear-headed, clean, and as emotionless as an aluminum pot.
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All the theories of conspiracy were always a way to escape our responsibilities. It is a very important kind of social sickness by which we avoid recognizing reality such as it is and avoid our responsibilities.
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They say that a cat, if it falls from a window and hits its nose, can lose its sense of smell and then, because cats live by their ability to smell, it can no longer recognize things. I'm a cat that hit its nose.
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Poetry is not a matter of feelings, it is a matter of language. It is language which creates feelings.
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In the United States there's a Puritan ethic and a mythology of success. He who is successful is good. In Latin countries, in Catholic countries, a successful person is a sinner.
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There are four kinds of people in this world: cretins, fools, morons, and lunatics.
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I write stories about conspiracies and paranoid characters while I am, in fact, a very skeptical person.
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Is it possible to say It was a beautiful morning at the end of November without feeling like Snoopy?
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If you want to become a man of letters and perhaps write some Histories one day, you must also lie and invent tales, otherwise your History would become monotonous. But you must act with restraint. The world condemns liars who do nothing but lie, even about the most trivial things, and it rewards poets, who lie only about the greatest things.
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