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I would define the poetic effect as the capacity that a text displays for continuing to generate different readings, without ever being completely consumed.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Effects
Text
Reading
Poetic
Ever
Continuing
Without
Display
Different
Define
Readings
Would
Effect
Displays
Capacity
Generate
Completely
Consumed

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My grandfather had a particularly important influence on my life, even though I didn't visit him often, since he lived about three miles out of town and he died when I was six. He was remarkably curious about the world, and he read lots of books.
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The only truths that are useful are instruments to be thrown away.
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I started to write [The Name of the Rose] in March of 1978, moved by a seminal idea. I wanted to poison a monk.
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A writer writes for writers, a non-writer writes for his next-door neighbor or for the manager of the local bank branch, and he fears (often mistakenly) that they would not understand or, in any case, would not forgive his boldness.
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Better reality than a dream: if something is real, then it's real and you're not to blame.
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A newspaper can follow the compulsions, the desires of the readers. Take the English evening newspapers - they are following the readers' desires when they are interested only in the royal family gossip. But even the most objective, serious newspaper in the world designs the way in which the reader could or should think. That's unavoidable.
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The truth is an anagram of an anagram.
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All the religious wars that have caused blood to be shed for centuries arise from passionate feelings and facile counter-positions, such as Us and Them, good and bad, white and black.
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It was awkward, revisiting a world you have never seen before: like coming home, after a long journey, to someone else’s house.
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If Bush had read all the documents about the Russians and British in Afghanistan in the 19th century, he would have not done what he did in the 21st. He would have understood how difficult it was to control this territory. He probably didn't read them.
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Certainly, light fiction exists and encompasses mysteries or second-class romance novels, books that are read on the beach, whose only aim is to entertain. These books are not concerned with style or creativity - instead they are successful because they are repetitive and follow a template that readers enjoy.
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Love is wiser than wisdom.
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I wrote a novel because I had a yen to do it. I believe this is sufficient reason to set out to tell a story.
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After years of practice, I can walk into a bookstore and understand its layout in a few seconds. I can glance at the spine of a book and make a good guess at its content from a number of signs.
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In the construction of Immortal Fame you need first of all a cosmic shamelessness.
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When I went from being an academic to being a member of the community of writers some of my former colleagues did look on me with a certain resentment.
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Never affirm, always allude: allusions are made to test the spirit and probe the heart.
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But why doesn't the Gospel ever say that Christ laughed? I asked, for no good reason. Is Jorge right? Legions of scholars have wondered whether Christ laughed. The question doesn't interest me much. I believe he never laughed, because, omniscient as the son of God had to be, he knew how we Christians would behave. . . .
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I have lost the freedom of not having an opinion.
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