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I like nicotine because it excites my brain and helps me work.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Nicotine
Excites
Helps
Brain
Helping
Work
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To establish what is true is very difficult. Frequently it is easier to establish what is false. And, passing through the false, it's possible to understand something about truth.
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I'm always fascinated by losers. Also, in my Foucault's Pendulum, the main characters, who are in a way losers, they are more interesting than the winners.
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How clear everything becomes when you look from the darkness of a dungeon.
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He who falls in love in bars doesn't need a woman all his own. He can always find one on loan.
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I felt like poisoning a monk.
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A democratic civilization will save itself only if it makes the language of the image into a stimulus for critical reflection - not an invitation for hypnosis.
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I started to work in television for three or four years, in 1954. There was one channel of television, black and white. But it could be entertaining and educational. During the evening they showed important plays, opera or Shakespeare's tragedies.
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The step between ecstatic vision and sinful frenzy is all too brief.
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My poetry had the same functional origin and the same formal configuration as teenage acne.
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We like lists because we don't want to die.
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Yesterday's rose endures in its name, we hold empty names.
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We are always remaking history. Our memory is always an interpretive reconstruction of the past, so is perspective.
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Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.
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When the writer (or the artist in general) says he has worked without giving any thought to the rules of the process, he simply means he was working without realizing he knew the rules.
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The faith a movement proclaims doesn't count: what counts is the hope it offers. All heresies are the banner of a reality, an exclusion. Scratch the heresy and you will find the leper. Every battle against heresy wants only this: to keep the leper as he is.
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There are magic moments, involving great physical fatigue and intense motor excitement, that produce visions of people known in the past. As I learned later from the delightful little book of the Abbé de Bucquoy, there are also visions of books as yet unwritten.
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You cannot believe what you are saying. Well, no. Hardly ever. But the philosopher is like the poet. The latter composes ideal letters for an ideal nymph, only to plumb with his words the depths of passion. The philosopher tests the coldness of his gaze, to see how far he can undermine the fortress of bigotry.
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A book is a fragile creature. It suffers the wear of time, it fears rodents, the elements, clumsy hands.
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but I had also learned that freedom of speech means freedom from rhetoric.
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To survive, you must tell stories.
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