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I have lost the freedom of not having an opinion.

Umberto Eco

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Umberto Eco
Age: 84 †
Born: 1932
Born: January 5
Died: 2016
Died: February 19
Essayist
Historian
Literary Critic
Literary Scholar
Medievalist
Novelist
Pedagogue
Philosopher
Screenwriter
Semiotician
Translator
Lissändria
Umberto Ecco
Umberto Eccounstino
Humberto Eco
Dedalus
Umberto Eko
Oumperto Eko
Eco Umberto
U. Eco
Opinion
Freedom
Lost

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Writing doesn't mean necessarily putting words on a sheet of paper. You can write a chapter while walking or eating.
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Then why do you want to know? Because learning does not consist only of knowing what we must or we can do, but also of knowing what we could do and perhaps should not do.
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We are always remaking history. Our memory is always an interpretive reconstruction of the past, so is perspective.
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There are two kinds of friendship: one is genuine affection, the other is inability to refuse.
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That is a real attitude - to see everything as being meaningful, even the less important things, to prove something, even the greater problems of life.
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In short, Roberto privately concluded, if you would avoid wars, never make treaties of peace.
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Is it worth it to be born if you cannot remember it later? And, technically speaking, had I ever been born? Other people, of course, said that I was. As far as I know, I was born in late April, at sixty years of age, in a hospital room.
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I would define the poetic effect as the capacity that a text displays for continuing to generate different readings, without ever being completely consumed.
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Reflecting on these complex relationships between reader and story, fiction and life, can constitute a form of therapy against the sleep of reason, which generates monsters.
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A narrator should not supply interpretations of his work otherwise he would have not written a novel, which is a machine for generating interpretations.
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It is clear that when you write a story that takes place in the past, you try to show what really happened in those times. But you are always moved by the suspicion that you are also showing something about our contemporary world.
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The Art of the Romance, though warning us that it is providing fictions, opens a door into the Palace of Absurdity, and when we have lightly stepped inside, slams it shut behind us.
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There are magic moments, involving great physical fatigue and intense motor excitement, that produce visions of people known in the past. As I learned later from the delightful little book of the Abbé de Bucquoy, there are also visions of books as yet unwritten.
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I am an old consumer of papers. I cannot avoid reading my newspapers every morning.
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Once upon a time there were mass media, and they were wicked, of course, and there was a guilty party. Then there were the virtuous voices that accused the criminals. And Art (ah, what luck!) offered alternatives, for those who were not prisoners to the mass media.
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I don't want to write a novel per year. I know that I need a break of one or two years. So maybe I invent some new, urgent activity so I don't fall into the trap of starting a new novel.
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Simple mechanisms do not love.
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The function of memory is not only to preserve, but also to throw away. If you remembered everything from your entire life, you would be sick.
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I am not on Facebook and on Twitter because the purpose of my life is to avoid messages. I receive too many messages from the world, and so I try to avoid that.
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You cannot escape one infinite, I told myself, by fleeing to another. You cannot escape the revelation of the identical by taking refuge in the illusion of the multiple.
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