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I was interested in becoming a show dancer, for which I tried, but I'm not tall enough.

Twyla Tharp

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Twyla Tharp
Age: 83
Born: 1941
Born: July 1
Ballet Dancer
Choreographer
Dancer
Writer
Portland
Indiana
Tried
Interested
Becoming
Show
Shows
Enough
Dancer
Tall

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I understand things that are American, for better or worse.
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When I'm in the studio, when I'm warm, when I'm what people call improvising, I feel a very special connection. I feel the most right. I don't want to become too mystic about this, but things feel as though they're in the best order at that particular moment.
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Living had little use for me other than how it could be funneled into dance.
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The rewards of dancing are very different from choreographing.
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In dreams, anything can be anything, and everybody can do. We can fly, we can turn upside down, we can transform into anything.
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Without the little ideas, there are no big ideas.
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Reading, conversation, environment, culture, heroes, mentors, nature – all are lottery tickets for creativity. Scratch away at them and you’ll find out how big a prize you’ve won.
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Well, Mozart is extraordinary not only in that he became virtuoso along the lines of his father, but that he had that compositional gift, that melodic gift. By the time he was four, he was doing piano concertos with harmony in the background.
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Later in life, one of the compensations is gliding effortlessly into focus in a thing. Since it is who we are, anything that is not the focus or supportive thereof is just not us. Even outside issues, when they arise, are interesting in that they only help define the focus more clearly.
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The first steps of a creative act are like groping in the dark: random and chaotic, feverish and fearful, a lot of busy-ness with no apparent or definable end in sight.
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Creativity is an act of defiance.
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Nobody likes to see that which they've invested in disappear from the face of the earth before they've even died. This is not cool. We can now see what the landmarks, in fact are.
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The formal education that I received made little sense to me.
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It's vital to establish some rituals-automatic but decisive patterns of behavior-at the beginning of the creative process, when you are most at peril of turning back, chickening out, giving up, or going the wrong way.
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I read for growth, firmly believing that what you are today and what you will be in five years depends on two things: the people you meet and the books you read.
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I always find that the best collaborations are when you work with people that know what they're doing, and you leave them alone to do it.
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In creative endeavors luck is a skill.
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I think a sense of humor will help get a girl out of a dark place.
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Usually kids who are talented have the brashness to think they can do anything, but they don't often get the chance to see how close they can come.
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Every dance I make is a dive into this well of ancient memory.
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