Quote

As people who have commitments and obligations, we try to blockade emotions and go on our course towards excellence, and that's a lie. I've definitely paid a price. Everything is an exchange.

Twyla Tharp

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Twyla Tharp
Age: 83
Born: 1941
Born: July 1
Ballet Dancer
Choreographer
Dancer
Writer
Portland
Indiana
Course
Emotions
Lying
Price
Blockade
Everything
Towards
Blockades
Trying
Definitely
Commitments
People
Commitment
Obligations
Paid
Exchange
Emotion
Excellence
Courses
Obligation

More quotes by Twyla Tharp

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I had received my first establishment grants in response to applications filed the year before. To the pages of baffling forms I had simply attached a handwritten note saying, 'I make dances, not applications. Send the money. Love, Twyla.
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No one is born with skill. It is developed through exercise, through repetition, through a blend of learning and reflection that's both painstaking and rewarding. And it takes time.
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The disasteris not the money, although the money will be missed. The disaster is the disrespect--this belief that the arts are dispensable, that they're not critical to a culture's existence.
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My mother was a dominant force in my life. She had a very specific idea about education, which was: you should know everything about everything. It was quite simple. There was no exclusivity, and there really was no judgment, which is a good thing for someone who still thinks of themselves as a very basic American.
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In creative endeavors luck is a skill.
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I think people want very much to simplify their lives enough so that they can control the things that make it possible to sleep at night.
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If you only do what you know and do it very, very well, chances are that you won't fail. You'll just stagnate, and your work will get less and less interesting, and that's failure by erosion
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Traveling the paths of greatness, even in someone else's footprints, is a vital means to acquiring skill.
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In dreams, anything can be anything, and everybody can do. We can fly, we can turn upside down, we can transform into anything.
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There really is nothing I ever had access to that I didn't appreciate.
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You only need one good reason to commit to an idea, not four hundred. But if you have four hundred reasons to say yes and one reason to say no, the answer is probably no.
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You're only kidding yourself if you put creativity before craft.
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When creativity has become your habit when you've learned to manage time, resources, expectations, and the demands of others when you understand the value and place of validation, continuity, and purity of purpose, then you're on the way to an artist's ultimate goal the achievement of mastery.
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I have learned over the years that you should never save for two meetings what you can accomplish in one.
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It was not until I had graduated from college that I made a professional commitment to it. Frankly, I didn't think it wise. I was my own interior parental force, and it's very difficult to justify a profession as a dancer.
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You can keep on chewing gum for ten hours, but after about a minute and a half you've got all the good out of it.
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It's vital to establish some rituals-automatic but decisive patterns of behavior-at the beginning of the creative process, when you are most at peril of turning back, chickening out, giving up, or going the wrong way.
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I often say that in making dances I can make a world where I think things are done morally, done democratically, done honestly.
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I understand things that are American, for better or worse.
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You don't get into the mood to create – it's discipline.
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