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In order to be creative, you have to know how to prepare to be creative.....A lot of habitually creative people have preparation rituals linked to the setting in which they choose to start their day. By putting themselves into that environment, they begin their creative day.

Twyla Tharp

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Twyla Tharp
Age: 83
Born: 1941
Born: July 1
Ballet Dancer
Choreographer
Dancer
Writer
Portland
Indiana
Start
Settings
Order
Preparation
People
Setting
Putting
Habitually
Begin
Rituals
Choose
Linked
Environment
Ritual
Creative
Prepare

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In the future, I will make certain that I commit to projects so there's enough breathing space for me to have an emotional life.
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Generosity is luck going in the opposite direction, away from you. If you're generous to someone, if you do something to help him out, you are in effect making him lucky. This is important. It's like inviting yourself into a community of good fortune.
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In dreams, anything can be anything, and everybody can do. We can fly, we can turn upside down, we can transform into anything.
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Optimism with some experience behind it is much more energizing than plain old experience with a certain degree of cynicism.
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The content and thematic materials of dance is, of itself, like boxing. You play tennis and baseball. But boxing is not a sport you play: you stand up and do it.
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You may wonder which came first: the skill or the hard work. But that's a moot point. The Zen master cleans his own studio. So should you.
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The ballet needs to tell its own story in such a way it can be received without having to be translated into language.
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I do believe that when dancing is right, the movement possesses a logic common to us all.
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I work because I have issues and questions and feelings and thoughts that I want to have a look at. I'm not in need of, or wanting, particularly, to know what other folk are up to.
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There really is nothing I ever had access to that I didn't appreciate.
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When it all comes together, a creative life has the nourishing power we normally associate with food, love and faith.
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I also had a will that let me eliminate everything that stood in the way of my becoming the best dancer I could be. By a gradual process... (I) had invested every bit of my dreams, my hopes, my energies in defining myself as a dancer.
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More often than not I've found, a rut is a consequence of sticking to tried and tested methods that don't take into account how you or the world has changed.
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I am fairly concise when I work and I work quickly because I think work is done better in a high gear than done our in a gear when everyone's exhausted. Get focused, do it!
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I'm willing to be regarded as a tyrant to keep my vision intact.
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A dancer's life is all about repetition.
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Everything is raw material. Everything is relevant. Everything is usable. Everything feeds into my creativity. But without proper preparation, I cannot see it, retain it, and use it.
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In the end all collaborations are love stories.
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There's this expression called postmodernism, which is kind of silly, and destroys a perfectly good word called modern, which now no longer means anything.
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I have the wherewithal to challenge myself for my entire life. That's a great gift.
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