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I do believe that when dancing is right, the movement possesses a logic common to us all.

Twyla Tharp

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Twyla Tharp
Age: 83
Born: 1941
Born: July 1
Ballet Dancer
Choreographer
Dancer
Writer
Portland
Indiana
Movement
Common
Right
Believe
Possesses
Logic
Dancing

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I'm a known reader. That's what I do with my time.
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The ballet needs to tell its own story in such a way it can be received without having to be translated into language.
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Don’t sign on for more problems than you must. Resist the temptation to involve yourself in other people’s zones of expertise and responsibility. Monitor troublesome situations if you need to, but don’t insert yourself unless you’re running out of time and a solution is nowhere in sight. In short, stifle your inner control freak.
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I had to become the greatest choreographer of my time. That was my mission, and that's what I set out to do.
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The disasteris not the money, although the money will be missed. The disaster is the disrespect--this belief that the arts are dispensable, that they're not critical to a culture's existence.
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The art of these Fifties movies was in sustaining forever the moment before sex.
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I had received my first establishment grants in response to applications filed the year before. To the pages of baffling forms I had simply attached a handwritten note saying, 'I make dances, not applications. Send the money. Love, Twyla.
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I was privileged to be able to study a year with Martha Graham, the last year she was teaching.
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The great ones never take fundamentals for granted.
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In the end all collaborations are love stories.
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Usually kids who are talented have the brashness to think they can do anything, but they don't often get the chance to see how close they can come.
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I had always seen myself as a star I wanted to be a galaxy.
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I was interested in becoming a show dancer, for which I tried, but I'm not tall enough.
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Whether it's a painter finding his way each morning to the easel, or a medical researcher returning daily to the laboratory, the routine is as much a part of the creative process as the lightning bolt of inspiration, maybe more.
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I walk into a large white room. It's a dance studio in midtown Manhattan. The room is clean, virtually spotless if you don’t count the thousands of skid marks and footprints left there by dancers rehearsing. Other than the mirrors, the boom box, the skid marks, and me, the room is empty.
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Doing is better than not doing, and if you do something badly you'll learn to do it better.
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You may wonder which came first: the skill or the hard work. But that's a moot point. The Zen master cleans his own studio. So should you.
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I also had a will that let me eliminate everything that stood in the way of my becoming the best dancer I could be. By a gradual process... (I) had invested every bit of my dreams, my hopes, my energies in defining myself as a dancer.
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Creativity requires quite a lot of faith - not just in yourself but also in the knowledge that you have the right to proceed, even when you may not know exactly what you're doing.
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The formal education that I received made little sense to me.
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