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You can keep on chewing gum for ten hours, but after about a minute and a half you've got all the good out of it.
Twyla Tharp
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Twyla Tharp
Age: 83
Born: 1941
Born: July 1
Ballet Dancer
Choreographer
Dancer
Writer
Portland
Indiana
Ten
Minutes
Hours
Half
Keep
Gum
Good
Chewing
Futility
Minute
More quotes by Twyla Tharp
I'm a known reader. That's what I do with my time.
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when the time came I would do battle with my mother for the right to sit at the center of my own life.
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A commission is an invitation to fall in love.
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We get into ruts when we run with the first idea that pops into our head, not the last one.
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I think of music as fuel, its spectrum of energy governed by tempi, volume, and heart.
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Don’t sign on for more problems than you must. Resist the temptation to involve yourself in other people’s zones of expertise and responsibility. Monitor troublesome situations if you need to, but don’t insert yourself unless you’re running out of time and a solution is nowhere in sight. In short, stifle your inner control freak.
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I had to become the greatest choreographer of my time. That was my mission, and that's what I set out to do.
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I started formal piano training when I was 4. From there I had little violas, and I had dancing lessons of every sort and description, and painting lessons. I had German. And shorthand.
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You double your intensity with skill.
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Energy and time are finite resources conserving them is very important.
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What I do remember is visualization of the sound of music, seeing bodies in movement in relation to how music sounded, because my mother practiced at the keyboard a lot and I also went to her lessons. As a two year old, three year old I remember seeing things in movement.
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You don't have a really good idea until you combine two little ideas.
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I think a sense of humor will help get a girl out of a dark place.
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Once you accept the power of spine in the creative act, you will become much more efficient in your creativity. You will still get lost on occasion, but having a spine will anchor you.
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I would have to challenge the term, modern dance. I don't really use that term in relation to my work. I simply think of it as dancing. I think of it as moving.
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Every dance I make is a dive into this well of ancient memory.
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While most people in the arts think they have to be constantly looking forward to be edgy and creative....the real secret of creativity is to go back and remember.
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The routine is as much a part of the creative process as the lightening bold of inspiration, maybe more. And this routine is available to everyone.
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I don't think that scheduling is uncreative. I think that structure is required for creativity.
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That's what improvising is like for me. There's no tollbooth between my impulse and my action.
Twyla Tharp