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It's vital to establish some rituals-automatic but decisive patterns of behavior-at the beginning of the creative process, when you are most at peril of turning back, chickening out, giving up, or going the wrong way.

Twyla Tharp

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Twyla Tharp
Age: 83
Born: 1941
Born: July 1
Ballet Dancer
Choreographer
Dancer
Writer
Portland
Indiana
Process
Ritual
Back
Vital
Giving
Turning
Going
Patterns
Rituals
Way
Behavior
Automatic
Beginning
Decisive
Creative
Peril
Wrong
Establish

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Creativity is an act of defiance.
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To make real change, you have to be well anchored - not only in the belief that it can be done, but also in some pretty real ways about who you are and what you can do.
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There's an energy that comes through the release of tension that is laughter.
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I have not wanted to intimidate audiences. I have not wanted my dancing to be an elitist form. That doesn't mean I haven't wanted it to be excellent.
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You double your intensity with skill.
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I think people want very much to simplify their lives enough so that they can control the things that make it possible to sleep at night.
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I understand things that are American, for better or worse.
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Confidence is a trait that has to be earned honestly and refreshed constantly you have to work as hard to protect your skills as you did to develop them. . . The one thing that creative souls around the world have in common is that they all have to practice to maintain their skills. Art is a vast democracy of habit.
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To embrace luck, you have to enhance your tolerance for ambiguity.
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Everyone has a talent. It's simply a question of good discipline, of the good fortune to have an education that meshes with that talent, and a lot of luck.
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Easily acquired. Inexpensive. Perfectly functional. Portable. Identifiable. Disposable. Eternal enough. These are my criteria for the perfect storage system. And I’ve found the answer in the simple file box.
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I have learned over the years that you should never save for two meetings what you can accomplish in one.
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Our ability to grow is directly proportional to an ability to entertain the uncomfortable.
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I have always felt one of the things dance should do - its business being so clearly physical - is challenge the culture's gender stereotypes.
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Usually kids who are talented have the brashness to think they can do anything, but they don't often get the chance to see how close they can come.
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I walk into a large white room. It's a dance studio in midtown Manhattan. The room is clean, virtually spotless if you don’t count the thousands of skid marks and footprints left there by dancers rehearsing. Other than the mirrors, the boom box, the skid marks, and me, the room is empty.
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In order to be creative, you have to know how to prepare to be creative.....A lot of habitually creative people have preparation rituals linked to the setting in which they choose to start their day. By putting themselves into that environment, they begin their creative day.
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Our guys have a vision of something bigger.
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The disasteris not the money, although the money will be missed. The disaster is the disrespect--this belief that the arts are dispensable, that they're not critical to a culture's existence.
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Energy and time are finite resources conserving them is very important.
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