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I can't emphasize this idea enough. Getting involved with your collaborator's problems almost always distracts you from your own. That can be tempting. That can be a relief. But it usually leads to disaster.

Twyla Tharp

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Twyla Tharp
Age: 83
Born: 1941
Born: July 1
Ballet Dancer
Choreographer
Dancer
Writer
Portland
Indiana
Getting
Tempting
Idea
Relief
Problem
Disaster
Ideas
Leads
Enough
Usually
Collaborator
Always
Problems
Distracts
Involved
Collaborators
Almost
Emphasize

More quotes by Twyla Tharp

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Dance is the stepchild of the arts.
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Without passion, all the skill in the world won't lift you above craft. Without skill, all the passion in the world will leave you eager but floundering. Combining the two is the essence of the creative life.
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To embrace luck, you have to enhance your tolerance for ambiguity.
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You double your intensity with skill.
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You don't get into the mood to create – it's discipline.
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I often say that in making dances I can make a world where I think things are done morally, done democratically, done honestly.
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I always, somehow, knew that I was going to dance.
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The way I enjoyed spending time most was dancing. That's from the time I was a very small child, When I was 4 or 5 years old, I remember already having a regime. It was the way I always identified myself.
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To make real change, you have to be well anchored - not only in the belief that it can be done, but also in some pretty real ways about who you are and what you can do.
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You only need one good reason to commit to an idea, not four hundred. But if you have four hundred reasons to say yes and one reason to say no, the answer is probably no.
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I've always found it necessity to strip away everything but the most fundamental ways to work - the rest is style.
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It was not until I had graduated from college that I made a professional commitment to it. Frankly, I didn't think it wise. I was my own interior parental force, and it's very difficult to justify a profession as a dancer.
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Miloš Forman is a great director Jim Brooks is a wonderful writer and director.
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I think a sense of humor will help get a girl out of a dark place.
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I always find that the best collaborations are when you work with people that know what they're doing, and you leave them alone to do it.
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When you're in a rut, you have to question everything except your ability to get out of it.
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I have to feel that each thing I've learned I can push to another point next time. I'm not very good with repetition. I would rather not work than feel that repetition is the order of the day.
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I have not wanted to intimidate audiences. I have not wanted my dancing to be an elitist form. That doesn't mean I haven't wanted it to be excellent.
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I thought I had to make an impact on history. I had to become the greatest choreographer of my time. That was my mission. Posterity deals with us however it sees fit. But I gave it 20 years of my best shot.
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I feel I can handle the architecture of dance as well as anybody.
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