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More often than not I've found, a rut is a consequence of sticking to tried and tested methods that don't take into account how you or the world has changed.

Twyla Tharp

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Twyla Tharp
Age: 83
Born: 1941
Born: July 1
Ballet Dancer
Choreographer
Dancer
Writer
Portland
Indiana
Often
Methods
Found
Account
Take
Accounts
World
Consequence
Method
Tried
Ruts
Creativity
Sticking
Changed
Tested

More quotes by Twyla Tharp

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Doing is better than not doing, and if you do something badly you'll learn to do it better.
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The more you know, the better you can imagine.
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You double your intensity with skill.
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While most people in the arts think they have to be constantly looking forward to be edgy and creative....the real secret of creativity is to go back and remember.
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I do believe that when dancing is right, the movement possesses a logic common to us all.
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In terms of individuals who actually inspired me, very few of the academic people that I had access to had that power over me. Maybe it's simply because I wasn't that committed to geometry.
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I work because I have issues and questions and feelings and thoughts that I want to have a look at. I'm not in need of, or wanting, particularly, to know what other folk are up to.
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I never studied with Balanchine, but his work was very important to me.
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Creativity is not just for artists. It's for businesspeople looking for a new way to close a sale it's for engineers trying to solve a problem it's for parents who want their children to see the world in more than one way.
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I've always thought my creative life began the moment my mother called me Twyla.
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I don't mean this, but I'm going to say it anyway. I don't really think of pop art and serious art as being that far apart.
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A young person has to start making decisions for themselves at a much earlier age than an overbearing parent allows one.
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I don't think that scheduling is uncreative. I think that structure is required for creativity.
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Playwrights have texts, composers have scores, painters and sculptors have the residue of those activities, and dance is traditionally an ephemeral, effervescent, here-today-gone-tomorrow kind of thing.
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That's what improvising is like for me. There's no tollbooth between my impulse and my action.
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My greatest fear in working is always the end. Lately I have taken to tricking myself into finishing by leaving a hole in the middle somewhere, then stitching the two pieces together - the Union Pacific approach.
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By making the start of the sequence automatic, they replace doubt and fear with comfort and routine.
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I don't believe in rushing and saying this is done and over with. That form of rebellion doesn't make sense to me. I've always attempted to familiarize myself with the traditions, and consider that a responsibility of the artist.
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Don’t sign on for more problems than you must. Resist the temptation to involve yourself in other people’s zones of expertise and responsibility. Monitor troublesome situations if you need to, but don’t insert yourself unless you’re running out of time and a solution is nowhere in sight. In short, stifle your inner control freak.
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I was interested in becoming a show dancer, for which I tried, but I'm not tall enough.
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