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I started formal piano training when I was 4. From there I had little violas, and I had dancing lessons of every sort and description, and painting lessons. I had German. And shorthand.

Twyla Tharp

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Twyla Tharp
Age: 83
Born: 1941
Born: July 1
Ballet Dancer
Choreographer
Dancer
Writer
Portland
Indiana
Lessons
Training
Viola
Painting
Shorthand
Started
German
Sort
Formal
Littles
Description
Little
Piano
Every
Dancing

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Don’t sign on for more problems than you must. Resist the temptation to involve yourself in other people’s zones of expertise and responsibility. Monitor troublesome situations if you need to, but don’t insert yourself unless you’re running out of time and a solution is nowhere in sight. In short, stifle your inner control freak.
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In those days, male dancers were a rarer breed than women. as they are still today, A good male dancer, one as strong as we were, was very difficult to come by if you couldn't afford to pay them.
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Optimism with some experience behind it is much more energizing than plain old experience with a certain degree of cynicism.
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Miloš Forman is a great director Jim Brooks is a wonderful writer and director.
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The great ones never take fundamentals for granted.
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Judgment is not my business. Existing is my business.
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As people who have commitments and obligations, we try to blockade emotions and go on our course towards excellence, and that's a lie. I've definitely paid a price. Everything is an exchange.
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I am fairly concise when I work and I work quickly because I think work is done better in a high gear than done our in a gear when everyone's exhausted. Get focused, do it!
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Dance has never been a particularly easy life, and everybody knows that.
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I’m much stronger than most women. Consequently, when I work with men, or when I’m partnered by men... We can actually go into kinds of movement that haven’t been available before, simply because I’ve strengthened myself as a woman, not because I’ve weakened him.
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Dancers are allowed, indeed encouraged, to remain children forever.
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I don't believe in rushing and saying this is done and over with. That form of rebellion doesn't make sense to me. I've always attempted to familiarize myself with the traditions, and consider that a responsibility of the artist.
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What I do remember is visualization of the sound of music, seeing bodies in movement in relation to how music sounded, because my mother practiced at the keyboard a lot and I also went to her lessons. As a two year old, three year old I remember seeing things in movement.
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I'm a known reader. That's what I do with my time.
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I began to discriminate between fear and excitement. The two, though very close, are completely different. Fear is negative excitement, choking your imagination. Real excitement produces an energy that overcomes apprehension and makes you want to close in on your goal.
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I think a sense of humor will help get a girl out of a dark place.
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A commission is an invitation to fall in love.
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No one is born with skill. It is developed through exercise, through repetition, through a blend of learning and reflection that's both painstaking and rewarding. And it takes time.
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I was interested in becoming a show dancer, for which I tried, but I'm not tall enough.
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The disasteris not the money, although the money will be missed. The disaster is the disrespect--this belief that the arts are dispensable, that they're not critical to a culture's existence.
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